Here's a dose of happy for you: Rob Gardner, winner of Amazon Studios’ $1 million Best Test Movie award, gets the good news from Amazon Studios director Roy Price earlier this week. (The winning movie, a musical adventure called 12 Princesses, is available to download/stream for free at Amazon Instant Video.)
Imagine that you could see a movie before it gets made, and tell the filmmakers what you think of it (Tweak that ending! Cut the sidekick! More chase scenes!). Now quit imagining, and check out the Amazon Studios “test movies” that just debuted on Amazon Instant Video and Prime Instant Video, where they are available to download and stream at no charge.
A test movie is a visual rough draft of a script. Live action? Animated? It’s all good: The key is that it allows movie fans from around the world to see a story in its early stages and share their thoughts on how that story should be made into a full-on feature film (or whether it even should be made into a full-on feature film) — before millions of dollars get spent.
The test movies premiering at Amazon.com are the best that Amazon Studios has to offer: Finalists for its $1 million Annual Award (winners to be announced on Feb. 7) and work created by specially selected filmmakers. Take a look! We’d love to know what you think.
Last month, I had the opportunity to sit down with beloved documentary filmmaker Ken Burns. I will admit I was pretty nervous. For the past 25 years Ken has made over 20 films, one of which (The Civil War) was honored with more than 40 major film and television awards. Younger generations are learning American and World History through his films while older generations are forced to re-learn, seeing the past through his unique cinematography. In fact, Ken's way of bringing life to photographs by zooming in on specific objects and then panning slowly from one object to the other has been coined "The Ken Burns Effect" in Apple's iPhoto and iMovie applications. So what was I going to ask such a well-respected, adored historian? I polled our Facebook fans and except for questioning his Bieber-esque hair do, asked Ken all about his new film Prohibition and much more. --Amanda
Gesundheit. With Steven Soderbergh’s brilliantly clinical, scarily plausible all-star disaster movie Contagion hitting screens, here’s a few notable films which also explore the fertile topic of quarantines and near-invisible invaders. Does … does anybody else feel warm?
Panic in the Streets (1950) Q: What’s scarier than having an unknowing carrier of bubonic plague on the loose in New Orleans? A: When said carrier is played by a huffing, puffing Jack Palance. Elia Kazan’s heavily expressionistic film noir (which features Richard Widmark in a too-rare heroic role) piles on the paranoia, especially when zooming in on the increasingly manic Palance, spreading potential death with every musk-ox exhalation.
Shivers (1976) There’s a fear of infection at work in most horror stories (Vampires, check; Werewolves, check; Zombies, big time check). While George A. Romero’s Dead saga, the 28 Days Later series, and The Stand all have their considerable virtues, no filmmaker has ever played with the idea as boldly as David Cronenberg, whose first two movies are brilliantly grody metaphors about catching a bug. Shot entirely in a claustrophobic high rise, Shivers follows the outbreak of a group of horrid slug-things whose bite releases the inner deviant in their victims. Working on an extremely low budget, Cronenberg takes the concept of viral horror and absolutely runs with it, leaving no queasy stone unturned. (To quote Stephen King from his awed appreciation in Danse Macabre, “[the film] is about sexual promiscuity on one level; on another level it’s asking you how you’d like to have a leech jump out of a letter slot and latch itself onto your face. These are not the same levels of unease at all.”) Nowhere is the film more effective than in its bizarre finale, which somehow plays as both worst case scenario and happy ending. 1977’s follow-up Rabid, in which Marilyn Chambers develops a communicable hankering for human blood following an experimental surgery, is a slightly more conventional movie, although the director still goes to degrees where few others dare to tread. After watching a surgeon start foaming at the mouth in mid-operation, never leaving the house again feels like a valid option.
Carriers (2009) A small group of survivors attempt to outdrive a widening plague zone, in this surprisingly vital, unstintingly tough-minded end of the world virus movie, with a pre-Trek Chris Pine unafraid to ugly it up in the lead role. The lack of funds occasionally shows, but in its unpretentious B-movie miserablism, it works like gangbusters.
Black Death (2011) In which a bunch of church-commissioned Medieval witch hunters (led by Sean Bean) stumble across a community mysteriously free of the plague. A cult movie in the making, director Christopher Smith’s fantastically atmospheric film explores the horrors of unexplained sickness, as well as the extreme steps taken by some to escape the taint.
Outbreak (1995) Released during the height of Ebola fears, Wolfgang Petersen’s mild yet effective monkey virus thriller manages to hit some of the same nerves that Contagion pings so expertly. The novelty of Dustin Hoffman as an action hero aside, this makes the list mainly for the awesomely overt scene where the plague is first spread … in a movie theater. William Castle would have given a high-five.
So, what movies make you reach for the Purell? --Andrew Wright
Roman Polanski's Carnage, opening later this year, is an adaptation of the Broadway play God of Carnage, which is about two sets of parents squabbling over their sons, who have gotten in a school yard fight. The teaser trailer (not an official green band release, so there is profanity for those who want to be properly warned) is like a mash-up of Oscar Gold, and for that alone it's a must-see. Jodie Foster and John C. Reilly play one set of parents, while Kate Winslet and Christoph Waltz play the other set. Jodie Foster and Kate Winslet in the same frame? My mind is going to explode.
I had a similar experience watching the trailer for The Ides of March a few weeks ago, directed by and starring George Clooney as a rising Presidential candidate whose press secretary (Ryan Gosling) knows something that could shatter his career. My head-exploding moment? Realizing that on top of the two mildly handsome and talented actors listed above, this also contains both Paul Giamatti and Philip Seymour Hoffman in the same movie (if this has happened before, and I feel like it should have, please let me know cause it's really bugging me). This is on my must-see list for fall. --Ellen
I've been left to wonder and wait rather impatiently for the trailer of this year's Sundance Grand Jury prize winner, Like Crazy, to show up online since January. Here we are in August and it turns out I'm not at all disappointed. Based on this lovely trailer (which features a beautiful Ingrid Michaelson cover of Can't Help Falling in Love), Like Crazy seems to be most things I love in quiet little indie movies...full of ethereal light and gorgeous cinematography, painfully realistic dialogue and moving, honest performances. A simple definition: short on plot, long on mood. The story of two college kids in love who are eventually separated by graduation and a revoked Visa, the whole thing reeks of the thrill, pain and confusion of first love, in the very best possible way. --Kira
The new obsession of mine is celebrities speaking in anything other than English, even if it's their native tongue. So that clip that circulated a while back of Bradley Cooper doing an interview in French was watched many times (is it just hard for us to believe that good-looking famous people can also be bilingual?).
After watching Friends With Benefits (which I wholly recommend), I saw this clip of a press conference in Moscow where Justin Timberlake is asked why he chose to do the movie (the context, according to People, is that he's asked why he chose movies in general). While he's still receiving the translation in his earpiece, co-star Mila Kunis (who was born in the Ukraine) sass the reporter with "Why? Why not? If he can do it, why shouldn't he? What kind of question is that? Why are you here?" to much laughter in the room. Watch below. --Ellen
And by the way here's that Bradley Cooper interview in French:
Cowboys and Aliens may have won the weekend box office, but it was a photo finish: Sunday's estimates had it tied with The Smurfs for the top spot. In the end, Cowboys eked out the win with $36.4 million over the Smurfs' $35.6 million, and Cowboys star Harrison Ford had something to say about the little blue people on Conan this evening. --Ellen
If you haven't seen this clip circling yet, check out this little Comic-Con surprise prior to the "Spider-Man" panel, then watch Andrew Garfield, aka the new Spider-Man, get choked up at the honor of inheriting the webbed mantle. --Ellen
While the internet breathlessly waits for a legit version of The Dark Knight Rises teaser (in which, according to reports, Tom Hardy’s back can briefly be glimpsed), a number of other intriguing trailers have made a pre-Comicon appearance. Start planning your sick days now.
Contagion (dir. by Steven Soderbergh): As distinctly '70s as the Pet Rock or Stretch Armstrong, the disaster movie cycle derived no small amount of guiltless fun from an iron-clad formula: Large-scale bloodless apocalypse at the end of the first reel, followed by a series of over-the-hill, easily recognizable actors biting it in increasingly baroque fashion. (Personal favorite: Henry Fonda shooting himself up with giant killer bee venom—in the name of science!—in The Swarm.) Steven Soderbergh’s all-star viral thriller, however, looks like it veers far, far away from Irwin Allen’s turf, with the cheesy fun of watching, say, Robert Wagner turning into a tux-clad fajita replaced by powerhouse acting and a no-nonsense attitude. While spoiler-hounds may get up in arms about the revealed fates of some of the actors in this trailer, it’s not looking like anyone gets away clean here. (September 9th)
The Thing (dir. by Matthijs van Heijningen Jr.): Horror fans, meanwhile, can be forgiven for feeling a little queasy about the existence of this prequel to John Carpenter’s 1981 somberly gloppy classic, which focuses on the events at an alien-infested Norwegian camp before Kurt Russell and his massive sombrero make the scene. Thankfully, this trailer looks like the filmmakers have made a genuine effort to replicate Carpenter’s doomy vibe (dig the Ennio Morricone soundtrack lift at the end), while sticking to the practical effects that made the original such a splatter milestone. (That said, the subtle CGI bit involving a guy’s face definitely works.) Keep watching the skies. (October 14th)
John Carter (dir. by Andrew Stanton): The first live-action film from Pixar Grand Poobah Andrew Stanton (Finding Nemo, WALL-E) is an adaptation of Edgar Rice Burroughs’ pulp milestone A Princess of Mars. Not that you’d be able to guess the Mars part from this rather opaque trailer, though, which tones down the material’s more baroque elements-–shouldn’t the sand be colored red, at least?--in favor of Conan-style throwdowns. Still, the director’s track record and the presence of a ridiculously talented supporting cast (including Bryan Cranston, Willem Dafoe, and Samantha Morton) suggest that there may be more magic here than meets the eye. And, hey, how about that song, huh? (March 9th, 2012)
