Armchair Commentary

DVDs from the Vault: Vintage Hollywood! Classic TV! Multi-Disc Mania! Westerns Aplenty! And More!

Independent distributors Olive Films continue to underscore their status as a dream label for cinephiles and collectors with its current batch of titles, all culled from the vaults of Republic Pictures and available in both DVD and Blu-ray formats. Chief among the current lineup is Mark Robson's Champion (1949), a scabrous, violent profile of a ruthless boxer (Kirk Douglas, who received an Oscar nod for his performance) whose desperate drive to rise above his bottom-floor social standing results in the ruination of his closest relationships (brother Arthur Kennedy, manager Paul Stewart and desire object Marilyn Maxwell) and ultimately, his own self-respect. The darker corners of the soul are also the focus of The Enforcer (1951), with Humphrey Bogart (in his final role for Warner Bros., which distributed the film for United States Pictures) as an assistant district attorney trying to bring down mobster Everett Sloane, who runs a Murder, Inc. style ring of contract killers, and Fred Zinneman's The Men (1950), with Marlon Brando as a former GI struggling with a wartime injury that has left him a paraplegic and Sloane, Jack Webb and Teresa Wright as the doctor, fellow patient and fiancee who aid in his recovery. Both The Men and Champion were early producer credits for director Stanley Kramer and penned by Carl Foreman (High Noon), who received Oscar nominations for both efforts.

A Tensome of Terror: The Best Horror DVD and Blu-ray Releases from 2012

Following is Armchair Commentary's round-up of the best horror titles released on DVD and Blu-ray in 2012. As in past years, the films here may not reflect all tastes in the genre, which offers a dizzying array of styles, sub-categories and degrees of intensity. The ten films in this list, as well as a handful of honorable mentions, were selected because they met one (or more) of three important criteria: the overall quality of their stories and direction, their packaging and presentation for home video, and (most importantly), the level of terror they raised.

1. Kill List Director Ben Wheatley skillfully manipulates genre expectations in this indie-styled UK thriller about a pair of hitman who discover, far too late, that the trio of individuals they are assigned to kill are part of a vast and sinister network. Wheatley's Chinese box plot is punctuated by moments of heart-stopping violence that culminate in a finale that echoes The Wicker Man in its shocking sledgehammer impact.

2. The Pact  A young woman discovers that the ghosts of the past, both figurative and unsettlingly literal, hold the key to a terrible family secret in this atmospheric feature debut from writer/director Nicholas McCarthy. The film's largely female cast - a rarity for the genre - is capably led by Caity Lotz (Mad Men) in a physically demanding role, though Haley Hudson also stands out as a blind medium whose unearthly fragility that seems more supernatural than the picture's restless spirit.  

3. Cabin in the Woods Though audiences were divided over its meta-take on horror tropes, co-writer/producer Joss Whedon and director Drew Goddard's tribute/critique of the genre's rules and foibles was one of the most clever and energetic releases of the year.

4. Eclipse Series 37: When Horror Came to Shochiku The latest release from Criterion's budget line is a quartet of eye-popping '60s-era horror and science fiction titles from Japan's venerable arthouse studio. Late-night TV habitues may remember the startling alien invasion chiller Goke, Body Snatcher from Hell and the thoroughly out-to-lunch kaiju The X from Outer Space, but the set's real discovery is The Living Skeleton, a macabre mash-up of supernatural revenge, Expressionistic shadows and pulp weirdness.

5. Universal Monsters: The Essential Collection As its title rightly states, this Blu-ray presentation of Universal's most iconic horror films - Dracula, Frankenstein, The Bride of Frankenstein, The Wolf Man, The Invisible Man, The Mummy, the '41 Phantom of the Opera and Creature from the Black Lagoon (presented in 2-D and 3-D formats), all remastered with stunning audio and video - belongs in the collection of every horror fan.

6. The Innkeepers A pair of bored clerks (Sara Paxton and Pat Healy) at a crumbling New England inn turn amateur ghost hunters to investigate the building's history of supernatural phenomena in director Ti West's underrated haunted house thriller. West, who paid tribute to '80s horror excess with House of the Devil, also takes a tip from the past by evoking the slow-building, special effects-light shudders of '70s supernatural efforts like The Legend of Hell House. 

7. The Woman in Black Daniel Radcliffe makes a capable transition to mature roles in this extremely effective Victorian ghost story about a widowed solicitor who becomes embroiled in a small village's legend of the titular spirit, which is connected to a string of children's deaths. The film's Gothic-steeped, funereal atmosphere pays homage to England's legendary and recently resurrected Hammer Films, which released the picture (along with two of the best horror films of the last five years, Let Me In and Wake Wood).

8. The Snowtown Murders A relentlessly bleak dramatization of an Australian murder spree carried out by a self-styled and utterly psychotic vigilante, played with chilling conviction by Daniel Henshall, that also does much to strip away the glamour of infamy from a killer's base, animalistic acts. 

9. Jaws Not the perfect presentation of this still-potent horror-adventure - it lacks several of the supplemental features that were included in previous anniversary DVD editions - but the gorgeous restoration to picture and sound, as well as a pair of exceptional (and exhaustive) making-of documentaries still make this an essential purchase for fans.

10. Mario Bava on Blu-ray Kino Classics brings four of the Italian horror pioneer's most enduring nightmares - the landmark Black Sunday with Barbara Steele, the hypnotic Lisa and the Devil (paired with its grittier re-edit, House of Exorcism), the delirious psycho-slasher Hatchet for the Honeymoon and Baron Blood with Joseph Cotten and Elke Sommer - to Blu-ray in extraordinary remastered editions.

Also worth mentioning: Eduardo (The Blair Witch Project) Sanchez''s Lovely Molly; the surprisingly effective '80s creature feature The Boogens; the five-disc Complete Hammer House of Horror; Lucky McKee's potent cannibal chiller The Woman; A Serbian Film (Uncut), an even more punishing version of the controversial exercise in excess; and V/H/S, an uneven but frequently disturbing anthology of "found footage" horror by a cadre of independent filmmakers, including Ti West, Adam Wingard and David Bruckner. 

Which horror DVD releases made your 2012 best-of list? -- Paul Gaita

 

 

The Terrible Eleven of 2011: The Year's Best in Horror DVDs

Following is a list of notable horror-related DVD and Blu-ray releases from 2011. A "best" list for horror can be a tricky proposition, given the spectrum of styles and degrees of intensity in the genre. Classic chiller fans may not care a whit about the latest gut-spiller, while gore aficionados may roll their eyes at a Depression Era spookshow. But the following eleven titles showcased here stood out, and therefore, were the best in our opinion, because they met two important criteria: they were distinguished by the quality of their stories and/or direction, whether stylish, unrelenting or inventive, and (most importantly) they were scary.

Here's our alarming eleven, in no particular order:

-- Island of Lost Souls Director Erle C. Kenton's outrageous 1933 adaptation of H.G. Wells' The Island of Dr. Moreau makes its long-over DVD debut with this deluxe presentation from Criterion. Seventy years have not dampened the film's queasy blend of pre-Code perversity and sadism in the name of Science, as embodied by Charles Laughton as a supremely arch Moreau, as well as Kathleen Burke's hot-blooded Panther Girl and Bela Lugosi's tormented Sayer of the Law. Extras include interviews with director John Landis, makeup legend Rick Baker and Mark Mothersbaugh and Jerry Casale of Devo, whose "de-evolution" manifesto was influenced by the film. An absolute essential for horror fans of all ages and preferences.

Fall Television 2011: New Shows

Ah, fall! Along with your crisp, cool days and the craving for warm apple cider, you bring about television's newest offerings. The networks seem to have recurring (or is that repetitious?) themes this year. Magic abounds, as do fairy tales and other monstrous creatures. And, since the 60s worked so well for AMC's Mad Men, we should have known the era would be ripe for the picking. The following list--in no particular order--are a few of the new series we're looking forward to this year. **Warning, spoilers ahead**

 

Ringer, Aired September 13, The CW

The premise: Sarah Michelle Gellar returns to television, in not one role, but two, playing twin sisters--Bridget, witness to a crime and on the run from the FBI; and Siobhan, trapped in a high society life and loveless marriage. The pilot episode threw a lot at us (affairs, a faked suicide, attempted murders, impersonation), and might have been better served over two hours. But we admit we're hooked already.

Why we're watching: Umm, SMG is back on television! And for all of the other above reasons. For all that the pilot was busy, we can't wait to see where this winding neo-noir road leads us. Also starring Ioan Gruffudd as Siobhan's husband, Kristoffer Pulka as Siobhan's lover, and Nestor Carbonella (and his too-good-to-be-true eyelashes) as an FBI agent searching for Bridget, all good reasons to tune in.

 

Death Valley, Aired August 29 on MTV

The premise: Not for the feint of heart or stomach, MTV's original series is in your face gore and snark … and is incredibly fun. Told Cops-style, this mockumentary follows the UTF precinct officers (Tania Raymonde, Texas Battle, et al.) under Captain Dashell (Bryan Callen) as they take on the vampires, zombies, and werewolves that inexplicably appeared in the valley. While it started a few weeks ago, you can get caught up online.

Why we're watching: Irreverent adult humor that turns the supernatural trend on its sparkling head. 

 

Person of Interest, Aired September 22 on CBS

The premise: After September 11, 2001, eccentric billionaire (is there any other kind?), Finch (Michael Emerson of Lost fame) created a pattern-recognition system that collects information--through computers, cell phones, and cameras on the street--to predict who will become involved in violent crimes. Some years later, he teams up with Reece (Jim Caviezel), a presumed-dead CIA agent, to help him stop those crimes. While it doesn't sound like these two initially trust each other: Reece pokes into Finch's past and Finch doesn't really trust anyone. Complicating matters is Detective Carter (Taraji P. Henson), who starts tracking Reece.

Why we're watching: Complicated premise? Perhaps. Hopefully this show will find the gray line separating protection vs. spying vs. paranoia … then stomp all over it and make us think. Besides, we'll watch anything with Michael Emerson.

 

2 Broke Girls, Aired September 19 on CBS

The premise: A(nother) modern take on The Odd Couple, this time featuring snarky street smart waitress Max (Kat Dennings) and bankrupt ex-heiress Caroline (Beth Behrs), who works with Max. These two opposites not only decide to live together, but to start a business together.

Why we're watching: In less capable hands, we might be dubious, but exec producer Michael Patrick King worked on Sex and the City, and we've heard that was a success! Also, Kat Dennings (usually) walks that delightfully fine line between sass and being obnoxious very skillfully, so count us in.

 

Terra Nova, Aired September 26 on Fox

The premise: Executive produced by Steven Spielberg, this is one of the most ambitious series we've seen in a while. Terra Nova takes us 138 years into a bleak future, where humans have all but ruined Earth. The discovery of a rift in time prompts a new generation of “pilgrims” to go back in time to a prehistoric, Cretaceous-period Earth so they can start fresh. The Shannon family (including Jason O'Mara and Shelley Conn) take the plunge, so to speak, and come under the leadership of Commander Nathaniel Taylor (Avatar baddie Stephen Lang). As the Shannons learn to survive on this new--but old to them--world, they come under the attack of a rogue group of residents called the Sixers, for reasons unknown; deal with the Commander's cagey tactics; and, oh yeah, there's dinosaurs.

Why we're watching: The series is exec produced by Spielberg, and the man knows his way around dinosaurs. Think what you will about Avatar, Stephen Lang was ridiculously over-the-top entertaining, and his role here has a similar feel. And then there's those dinosaurs …

 

The Secret Circle, Aired September 15 on The CW

The premise: Newly orphaned 16-year-old Cassie (Britt Robertson) is sent to live with her grandmother in the town her mother grew up in, but never talked about. Cassie is approached--and tested--by five of her new classmates (including Thomas Dekker as Adam) who break the news to her: she's a witch, as were all of their parents until something tragic and unspoken happened. Cassie's arrival completes the circle of magic they formed, upping their powers to dangerous and hard to control levels. Keeping things from getting too new agey, two of the parents (Natasha Henstridge and Gale Harold) seem to have a bloody agenda … one that involved killing Cassie's mother, perhaps to lure/force her back?

Why we're watching: Magic seems to be the new vampire, but we're okay with that--for now. Britt Robertson was a delight to watch in Life UnExpected, as was Thomas Dekker in the still missed Sarah Connor Chronicles.

 

Prime Suspect, Aired September 22 on NBC

The premise: A remake of the British Hellen Mirren staple, Jane Timoney (Maria Bello), is a tough, no-nonsense NYC homicide detective (as so many female cops on television seem to be), who will deal with hostility from both the perps she arrests and her fellow officers. Unlike the UK version, which used an entire mini-series for the case, each murder will be solved within an episode.

Why we're watching: This adaptation is executive produced by Alexandra Cunningham, who worked on the original, as well as NYPD Blue. Though it will probably follow the typical procedural formula we're used to, there's comfort in that style and it's worked for many a cop show. Then there's that news-making hat …

 

Revenge, Aired September 21 on ABC

The premise: Emily Thorne (Emily VanCamp) tells it straight: she's come home not to dispense forgiveness, but to exact revenge against those who destroyed her family. Her new neighbors have no idea who Emily is, as she skillfully blends into the community, makes new friends, and sets her plan into motion.

Why we're watching: Every season needs at least one guilty pleasure show, and we're hoping this will be worthy of our time. While the Klingons may prefer their revenge served up cold, there's nothing like a warm summer in the Hamptons to really heat things up!

 

Grimm, October 21 on NBC/ Once Upon A Time, October 23 on ABC

The premise(s): Taking the fairy tale trail, you have two options (or both, we won't make you chose!). Grimm seems to be the darker of the two, following Detective Nick Burkhardt (David Giuntoli) who discovers he's descended from a line of criminal profilers--called Grimms--tasked with keeping the world's mythological creatures in line.

Once Upon A Time looks to be a beautiful mystery set in the (subtly) named town of Storybrooke, Maine. A group of fairy tale characters are trapped in the town and have been cursed to forget their true origins, including Snow White (Ginnifer Goodwin), her--possibly--long-lost daughter, Emma (Jennifer Morrison), and, of course, Prince Charming (Josh Dallas). We'll also be treated to flashbacks showing the characters' former lives in Fairy Tale Land.

Why we're watching (both): Though viewers may tune into Grimm, which airs a couple days earlier, and not give Once Upon A Time a chance, we think the two shows will be different enough that you can enjoy both and not feel like you're getting a second helping of the same entreé. Here's wishing upon a star …

Pan Am, Aired September 25 on ABC

The premise: Based on a woman's actual experiences (executive producer Nancy Hult Ganis), many of the larger storylines are at least modeled after real events, including the stealth rescue mission to Cuba and the assassination of JFK. Follow Laura (Margot Robbie) as she runs out on her wedding and takes to the skies with her sister, Kate (Kelli Garner), a Pan Am stewardess. Joining the sisters are they travel around the world are fellow stewardesses Maggie (Christina Ricci) and French-born Colette (Karine Vanasse), and pilot Dean (Mike Vogel).

Why we're watching: Set in the heyday of airline travel, flying has never looked so good. But we don't think this show will be all pie in the sky. It doesn't sound like the writers are going to back away from the tumultuous political climate of the early-to-mid 60s.

 

Which new shows are you watching? --Jill Corddry

Fall Television 2011: Returning Shows

Get your DVR warmed up! May's cruel cliffhangers are unfurling as fall 2011-2012 television season begins. Everyone has their favorite genre(s)--from procedurals to dramas to sitcoms and everything in between--and we won't judge. Though we can't possibly list everything coming back this fall, here are a few returning series we're looking forward to. The following list is in no particular order. **Warning, spoilers ahead**

Supernatural, September 23 on The CW

Where we left off: So … Castiel is God now…

Or at least he thinks he is. Sam (Jared Padalecki) and Dean (Jensen Ackles) are up against their toughest (at least emotionally) big bad yet, as their juiced-up-on-souls friend takes over as the ultimate power hungry CEO. Early clips indicate the former angel isn't exactly a benevolent dictator and will no doubt cause Sam and Dean trouble, but rumors indicate the Castiel (Micha Collins) isn't the worst thing the Winchester brothers will encounter in the show's seventh season.

 

Castle, September 19 on ABC

Where we left off: The secret of who killed Detective Beckett's mother and why was (mostly) revealed, and surprisingly, involved Captain Montgomery, who ultimately sacrificed himself to save her. As Beckett bled on the ground after being shot at the captain's funeral, Castle whispered, “I love you.”

Season four picked up where the last season ended, and we all knew Kate Beckett (Stana Katic) would survive, because Rick Castle (Nathan Fillion) wouldn't be Castle without his muse. With the departure of Captain Montgomery last season, we're getting a new face in the squad: Captain Victoria “Iron” Gates (Penny Johnson). Though Beckett has been telling everyone she doesn't remember anything regarding her shooting, she confesses to her therapist that she does … which more than likely accounts for her putting some distance between her and Castle, and should cause some interesting conflicts. The rumor mill indicates the 3XK killer will be back at some point, and we're hoping for some hilarious hijinks for Detectives Esposito (Jon Huertas) and Ryan (Seamus Dever) as the latter plans his wedding.

 

Chuck, October 21 on NBC

Where we left off: “Guys, I know King Fu!” After the Intersect was forcibly removed from Chuck's brain, Morgan inadvertently downloads it, becoming the new Intersect. Oh yeah, and the entire team was fired, Sarah and Chuck bought the Buy More (and the secret rooms below) after getting married, and they're starting their own spy business.

The much loved geek-spy series is coming to a close after five seasons, but at least the creative team knew in advance and can plan a proper farewell. Besides having a new Intersect in town and some notable guest stars villains (Mark Hamil and Craig Kilborn), Chuck (Zachary Levi) has to adapt his role from super Intersect spy to handler as Morgan (Joshua Gomez) learns to use his newly amped-up brain. And no one thinks it will be cake for Casey (Adam Baldwin) and Sarah (Yvonne Strahovski) to work together as their own bosses.

Fringe, September 23 on Fox

Where we left off: Both rapidly deteriorating parallel universes were brought together by a time-traveling Peter Bishop, who quite literally disappeared before our eyes. And no one cared. Or even noticed.

We cannot wait to see how Peter (Josh Jackson) is reintegrated into the show, since we've been promised he hasn't been written out! But besides that, the season should prove a fascinating look at what would happen if Peter had never existed. How far over the edge would his crazy scientist father Walter (the amazing John Noble, also playing "over there's" Walternate) have gone? Fauxlivia (Anna Torv, also playing Olivia in “our world”) would never have had a baby … or at least not Peter's son. We're assuming much of the season will deal with both worlds trying to stop the process that's destroying them both, and a healthy dose of the fringe-type science that makes this series what it is.

 

How I Met Your Mother, September 19 on CBS

Where we left off: Marshall and Lily are having a baby!

As excited as we are for this fun couple (Jason Segel and Alyson Hannigan) and their impending bundle of joy, we want the main focus of the show's seventh season to come back to Ted (Josh Radnor) and his search for love (and the mother of the title). There's also the lingering question of who on Earth managed to snare Barney (the legen-wait for it-dary Neil Patrick Harris) and get him to pop the question. Is his wedding where Ted meets the woman of his dreams? Love is also--possibly--in the air for Robin (Cobie Smulders) with guest star Kal Penn.

 

Glee, September 20 on Fox

Where we left off: The New Directions finally made it to NYC and Nationals, only to have their dreams once again dashed when Finn kisses Rachel on stage.

Whew! It almost feels like we had a whole season of Glee over the summer with all the off-camera theatrics and rumors: Rachel (Lea Michele) and Kurt (Chris Colfer) are graduating and leaving after this season … no they aren't; they're getting their own series (which might have been kind of awesome!); no, wait, they'll be sticking around. And then there was the reality show that selected three winners for small roles. No wonder we're tired! Here's hoping this season returns focus to its true strengths: the singing, the dancing, Jane Lynch's tyrannical Coach Sue Sylvester and the outrageous story lines that made us love season one.

 

Modern Family, September 21 on ABC

Where we left off: Mitchell and Cameron are thinking of adopting a another baby.

This multi-family-within-a-family series has too much going on for us to dive into each and every aspect of this upcoming season, but season three opens with the families exploring their inner cowboy on a dude ranch, giving Mitchell (Jesse Tyler Ferguson) and Cameron (Eric Stonestreet) a chance to see if they are ready to adopt a boy. We can't wait to watch as this part of the clan prepares to enlarge their family. Also in the future, Jay (Ed O'Neill) and Gloria (Sofia Vergara) have their hands full as Manny (Rico Rodriguez) runs afoul of the law.

 

The Walking Dead, October 16 on AMC

Where we left off: Big badda boom! The survivors battle zombies as they escape an explosion at the C.D.C.

Season two picks off seconds later, with Rick Grimes (Andrew Lincoln) and the rest of the survivors speeding away from the burning remains of the C.D.C. Fans of the graphic novel will recognize their destination, as they try to get to the farm of Hershel Green (Scott Wilson). Fingers crossed the departure of producer Frank Darabont won't hurt the show. Viewers should take heart that star Andrew Lincoln had this to say: “The scripts are sooo good,'' he insists. ''They're amazing.”

 

Psych, October 12 on USA

Where we left off: Serial killer Yang was back for a third (and final … probably) time, as she helped catch her partner Ying. Shawn and Juliet hooked up last year, but kept it a secret due to a no dating policy within the Santa Barbara police department. But Detective Lassiter caught them kissing.

Normally a summer staple, Psych was moved to fall to make room in USA's busy schedule, and we've been craving our fake psychic Shawn (James Roday) and his partner Gus (Dulé Hill) more than a pineapple upside down cake. As always, we're prepared for a plethora of pop culture references, ridiculous crimes, and Shawn's even crazier antics as he tries to solve them. We're assuming that strict rule-following Lassie (Timothy Omundson) will have a problem with the still burgeoning relationship between Shawn and his partner, Juliet (Maggie Lawson) … but what will he do about it?

 

Bones, November 3 on Fox

Where we left off: Bones is preggers! Booth is the daddy!

Okay, so fans of the show all knew star Emily Deschanel was pregnant (and recently delivered a baby boy), but we certainly didn't expect to see it written into the show, even though Temperance Brennan (Deschanel) had previously explored having a child. This season will be abbreviated due to her real life pregnancy, but we can only imagine the challenges the non-couple couple will go through as things progress: Booth (David Boreanaz) will no doubt grow increasingly protective and Bones will try to carry on as though nothing has change--at least not with the work. We can already a see a rounded Bones crawling through some vile crime scene, thinking nothing of it. Oh yeah, and there's the rest of the squints, Angela (Michaela Conlin) and Hodgins' (T.J. Thyne) new baby, the rotating squinterns, and all those murders.

 

What returning shows are you most excited about? --Jill Corddry

The Icky Shuffle: Contagion Movies

Gesundheit. With Steven Soderbergh’s brilliantly clinical, scarily plausible all-star disaster movie Contagion hitting screens, here’s a few notable films which also explore the fertile topic of quarantines and near-invisible invaders. Does … does anybody else feel warm?

Panic in the Streets (1950) Q: What’s scarier than having an unknowing carrier of bubonic plague on the loose in New Orleans? A: When said carrier is played by a huffing, puffing Jack Palance. Elia Kazan’s heavily expressionistic film noir (which features Richard Widmark in a too-rare heroic role) piles on the paranoia, especially when zooming in on the increasingly manic Palance, spreading potential death with every musk-ox exhalation.

Shivers (1976) There’s a fear of infection at work in most horror stories (Vampires, check; Werewolves, check; Zombies, big time check). While George A. Romero’s Dead saga, the 28 Days Later series, and The Stand all have their considerable virtues, no filmmaker has ever played with the idea as boldly as David Cronenberg, whose first two movies are brilliantly grody metaphors about catching a bug.  Shot entirely in a claustrophobic high rise, Shivers follows the outbreak of a group of horrid slug-things whose bite releases the inner deviant in their victims. Working on an extremely low budget, Cronenberg takes the concept of viral horror and absolutely runs with it, leaving no queasy stone unturned.  (To quote Stephen King from his awed appreciation in Danse Macabre, “[the film] is about sexual promiscuity on one level; on another level it’s asking you how you’d like to have a leech jump out of a letter slot and latch itself onto your face. These are not the same levels of unease at all.”) Nowhere is the film more effective than in its bizarre finale, which somehow plays as both worst case scenario and happy ending. 1977’s follow-up Rabid, in which Marilyn Chambers develops a communicable hankering for human blood following an experimental surgery, is a slightly more conventional movie, although the director still goes to degrees where few others dare to tread. After watching a surgeon start foaming at the mouth in mid-operation, never leaving the house again feels like a valid option.

Carriers (2009) A small group of survivors attempt to outdrive a widening plague zone, in this surprisingly vital, unstintingly tough-minded end of the world virus movie, with a pre-Trek Chris Pine unafraid to ugly it up in the lead role. The lack of funds occasionally shows, but in its unpretentious B-movie miserablism, it works like gangbusters.

Black Death (2011) In which a bunch of church-commissioned Medieval witch hunters (led by Sean Bean) stumble across a community mysteriously free of the plague. A cult movie in the making, director Christopher Smith’s fantastically atmospheric film explores the horrors of unexplained sickness, as well as the extreme steps taken by some to escape the taint.

Outbreak (1995) Released during the height of Ebola fears, Wolfgang Petersen’s mild yet effective monkey virus thriller manages to hit some of the same nerves that Contagion pings so expertly. The novelty of Dustin Hoffman as an action hero aside, this makes the list mainly for the awesomely overt scene where the plague is first spread … in a movie theater. William Castle would have given a high-five.

So, what movies make you reach for the Purell? --Andrew Wright

 

Made-for-TV Terrors: The ORIGINAL "Don't Be Afraid of the Dark" and other '70s Small Screen Shockers

 On October 10, 1973, TV audiences who tuned to ABC were transfixed by a hair-raising supernatural thriller about a young newlywed (Kim Darby, True Grit) plagued by unseen fores in her new home. The feature, Don't Be Afraid of the Dark, earned a reputation as one of the most terrifying productions ever made for television, and had a profound effect on many that saw it in the four decades after its initial network broadcast - including director Guillermo Del Toro (Hellboy), who recently produced a big-screen remake, starring Katie Holmes and Guy Pearce, that opens on August 26. 

Del Toro's remake serves as a great reminder that the 1970s were an exceptional period for horror features on the small screen. The success of such critically acclaimed and highly rated efforts as Steven Spielberg's Duel (1971), Dan Curtis' The Night Stalker (1972) and Dark, directed by John Newland (of One Step Beyond fame) paved the way for dozens of genre titles, some of which compared favorably to the Hollywood releases of the period. Following are 10 of the best '70s-era TV-movie horror films, all available on DVD, and all providing the perfect degree of chills for hot summer viewing. It should be mentioned that the original Don't Be Afraid of the Dark has also been issued in a newly remastered special edition disc.

Note: the omission of some outstanding TV-movie terror titles, including Steven Spielberg's Something Evil (1972), A Cold Night's Death (1972) and the Gene Roddenberry-produced Spectre (1973)- both starring the late Robert Culp - and Curtis Harrington's The Dead Don't Die, is due to their unavailability on legitimate DVD.

Prince of Darkness: The Best of Bela Lugosi on DVD

In the half-century that has passed since Bela Lugosi's death on August 16, 1956, the Hungarian-born actor has lost little of his lustre as one of Hollywood's most enduring horror film icons. He remains best known for his elegant and smoulderingly sensual Count in Tod Browning's Dracula (1931), a performance that not only presaged such erotically charged screen vampires as Christopher Lee, Frank Langella and even Robert Pattinson, but has become part of the pop culture lexicon; without Lugosi, there are none of the aforementioned actors, but also no Bobby "Boris" Pickett ("Monster Mash"), no Count von Count on Sesame Street, even no Count Chocula on your breakfast table, not to mention Martin Landau's Oscar-winning turn as (a highly fictionalized) Lugosi in Tim Burton's Ed Wood (1994) and the legions of comic imitators, cartoon depictions, pop songs and even postage stamps that traded on his distinctive look, accent and delivery.

Like his frequent on-screen rival, Boris Karloff, Lugosi is part of our collective consciousness as filmgoers. His image immediately invokes a stately, charming evil, the kind of which is largely absent from modern horror films. That image surpasses the typecasting that plagued Lugosi in life and the grisly final chapter of his career with Ed Wood and Plan 9 from Outer Space (1959). On the 55th anniverary of Lugosi's death, we take a look at the films that best summon that image, and have preserved his legacy for generations of fans. 

1. Dracula (1931) Lugosi had played the Count in the 1927 Broadway production of Hamilton Deane and John L. Balderston's stage play, which served as the basis for the film, but had to lobby to win the role in the film; producer Carl Laemmle, Jr. wanted Lon Chaney for Dracula, and considered numerous other actors, including Paul Muni, before settling on Lugosi. The result was instant stardom for the actor, whose deliberate speech patterns ("I never drink... wine") and mesmerizing gaze have passed into movie legend. Though widely identified as Dracula, he would play the role in only two subsequent films, the 1933 short Hollywood on Parade and Abbott and Costello Meet Frankenstein (1948), though he played other unrelated characters in Mark of the Vampire (1935) and Return of the Vampire (1944).

Ivan Reitman on the Lessons of Ghostbusters, the Upcoming Sequel (and ... Ashton Kutcher?)

Ivan Reitman has made a lot of terrific movies: Meatballs, Stripes, Kindergarten Cop, No Strings Attached. But there’s one that’s special. One that’s helped define what a blockbuster comedy is, and brought joy to millions. That movie is Ghostbusters. “I like to think it did something that hasn’t been seen before – that combination of humor with a fairly original story, original characters, a mix of genres,” said Reitman, who recently judged the Amazon Studios Best Comedy Script contest. “It’s kind of a scary film and kind of a funny film. And a film of a scale that had not been attempted before that I can think of, and it really set this whole new genre.”

There are lessons in Ghostbusters for every screenwriter, and the most important one is: Don’t try to make another Ghostbusters. For one, Reitman himself is on the case (more on Ghostbusters 3 in a bit). But more importantly, the thing Reitman most wants screenwriters to be is authentic. Don’t try to make the movie or write the script that you think someone wants you to write. More specifically, he added: “Think about: What part of my own experience is unique to me? What do I have genuine and original insight into what is my own experience that I can ascribe and impart in my own way that has not been seen before?”

Some might say that with a cast that included Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Rick Moranis and Annie Potts, it would be hard to go wrong. And Reitman wouldn’t disagree. “Sometimes an inspirational performance can take a script out of failure,” he said.  “But it’s very hard to make a bad script a lot better. I’d much rather start with a better script.” He had it with the first Ghostbusters. And the second? “There’s lots of funny stuff in the second Ghostbusters, but we didn’t quite get the story right, particularly the threat,” he said. “The actors were interesting, but I thought the plot was less than stellar in comparison to the first one, so there was a certain level of disappointment. Though taken on its own, it was a good movie.”

Ghostbusters 2 came out in 1989, five years after the original. And Ghostbusters 3? Coming next year, reportedly. “I think it’s going to happen,” Reitman said. “We really all want it to happen. Though I’m not sure about Bill. I think he’s gone to a place in his performance career that it’s not as important to him as it may be with others.”

Reitman won’t discuss the specifics of the plot, but he will acknowledge the pressure. “It’s an interesting pressure. People do sequels all the time now, and there doesn’t seem to be quite as much pressure on those screenplays as there is for a Ghostbusters movie. There’s such a love for the original film that it has placed almost a unique weight on it.” Fortunately, he said, they have a “very good” screenplay ready (by Gene Stupnitsky and Lee Eisenberg, who wrote Bad Teacher).

Speaking of pressure, Reitman is confident that Ashton Kutcher, his leading man in No Strings Attached, can handle what awaits when he leads one of TV’s hottest comedies, Two and a Half Men, into its post-Charlie Sheen era this fall. “Ashton is undervalued as an actor,” Reitman said. “He’s thought of as a good looking boy … but he’s a really good, subtle actor.” And funny. And Reitman would know.

-- Studios Steph

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Trailer Park: "Contagion," "The Thing," "John Carter"

While the internet breathlessly waits for a legit version of The Dark Knight Rises teaser (in which, according to reports, Tom Hardy’s back can briefly be glimpsed), a number of other intriguing trailers have made a pre-Comicon appearance. Start planning your sick days now.

Contagion (dir. by Steven Soderbergh): As distinctly '70s as the Pet Rock or Stretch Armstrong, the disaster movie cycle derived no small amount of guiltless fun from an iron-clad formula: Large-scale bloodless apocalypse at the end of the first reel, followed by a series of over-the-hill, easily recognizable actors biting it in increasingly baroque fashion. (Personal favorite: Henry Fonda shooting himself up with giant killer bee venom—in the name of science!—in The Swarm.) Steven Soderbergh’s all-star viral thriller, however, looks like it veers far, far away from Irwin Allen’s turf, with the cheesy fun of watching, say, Robert Wagner turning into a tux-clad fajita replaced by powerhouse acting and a no-nonsense attitude. While spoiler-hounds may get up in arms about the revealed fates of some of the actors in this trailer, it’s not looking like anyone gets away clean here. (September 9th)

 

The Thing (dir. by Matthijs van Heijningen Jr.): Horror fans, meanwhile, can be forgiven for feeling a little queasy about the existence of this prequel to John Carpenter’s 1981 somberly gloppy classic, which focuses on the events at an alien-infested Norwegian camp before Kurt Russell and his massive sombrero make the scene. Thankfully, this trailer looks like the filmmakers have made a genuine effort to replicate Carpenter’s doomy vibe (dig the Ennio Morricone soundtrack lift at the end), while sticking to the practical effects that made the original such a splatter milestone. (That said, the subtle CGI bit involving a guy’s face definitely works.) Keep watching the skies. (October 14th)

 

John Carter (dir. by Andrew Stanton): The first live-action film from Pixar Grand Poobah Andrew Stanton (Finding Nemo, WALL-E) is an adaptation of Edgar Rice Burroughs’ pulp milestone A Princess of Mars. Not that you’d be able to guess the Mars part from this rather opaque trailer, though, which tones down the material’s more baroque elements-–shouldn’t the sand be colored red, at least?--in favor of Conan-style throwdowns.  Still, the director’s track record and the presence of a ridiculously talented supporting cast (including Bryan Cranston, Willem Dafoe, and Samantha Morton) suggest that there may be more magic here than meets the eye. And, hey, how about that song, huh? (March 9th, 2012)