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Once Upon a Twisted Fairy Tales

Retelling classic fairy tales is nothing new in literature or at the cinema. Sometimes it's a modern twist, other times the tale shows the story from another character's perspective. However the story is mixed-and-matched, the recent release of Beastly -- a modern update of Beauty and the Beast -- and Red Riding Hood, plus the announcement of a new Snow White starring Julia Roberts, Kristen Stewart, and Charlize Theron, prove these twisted tales are all the rage. Here are a few of our favorite new takes on old stories, but beware, these fairy tales aren't for the kids! Warning: spoilers ahead.

 


SnowWhite Snow White – A Tale of Terror
(1997)

Based on: Snow White and the Seven Dwarves

The tale: Lady Claudia, an evil stepmother (as they often seem to be in fairy tales) tries to have her stepdaughter, Lilli, killed. But the attempt fails when Lilli escapes, hiding in the woods. She's found, and grudgingly given refuge, by seven outcast miners. Using her mother's mirror, Lady Claudia (Sigourney Weaver, who earned an Emmy Award® nomination for her role), discovers Lilli is still alive, and, much like the familiar tale, she disguises herself as an ugly old woman and delivers that fateful, deadly apple to Lilli. Though Lilli succumbs to the poison apple, she is saved and ultimately confronts her stepmother, finally destroying the magic mirror with a knife.

How it's twisted: The title says it all. Perhaps even darker than the original Grimm brothers' tale, this gothic interpretation replaces the dwarves with the miners, who do not exactly welcome Lilli into their home. But it seems the character of Lady Claudia truly imbues the darkest nature of this adaptation. She takes evil to elevated levels, going so far as to seduce Lilli's fiancé, attempts the resurrection of her stillborn son, and scares her brother -- the man responsible for Lilli's attempted murder -- into committing suicide, and that's just what we can list here!

 

Beauty and the Beast (1946) B&B

Based on: Beauty and the Beast

The tale: Widely considered one of the finest fantasy films, even today, the French La Belle et la Bête tells the story most of us are familiar with: Belle offers to take her father's place as the Beast's prisoner after he takes a rose from the Beast's garden. Over time, Belle comes to look past the Beast's -- who is actually a cursed, handsome prince -- outwardly grotesque appearance, and sees him for the man behind the monster.

How it's twisted: Unlike some adaptations, this stunning black and white film actually stays very close to the original fairy tale by Leprince de Beaumont. However, director Jean Cocteau focused on the more adult, emotional aspects of the relationship between Belle and her princely Beast, envisioning a dark, though dreamy and romantic, environment. 

 

Freeway Freeway (1996)

Based on: Little Red Riding Hood

The tale: Vanessa (Reese Witherspoon), an illiterate teenager sets off to her grandmother's house … after her mother is arrested for prostitution. Before leaving, she stops to see her boyfriend, who gives her a gun to sell once she gets to her final destination. When her car breaks down along the highway, Bob Wolverton (Kiefer Sutherland) stops and offers to take her to her grandmother's house. Unknown to Vanessa, Bob is a serial killer. until he confesses and attacks her. She shoots him, and finds herself arrested, the police unconvinced of her story. She escapes from prison during transfer and finally makes her way to her grandmother's house, only to discover Bob has killed her grandmother.

How it's twisted: Though it may seem like it on the surface, this isn't a film that sets out purely to titillate. The original “Little Red Riding Hood” was a tale of warning to adolescent girls, and, while the themes of sex and violence are taken to amped up levels in this modern retelling, in many ways, it offers up the same warnings.

 

Into the Woods (1991) IntoTheWoods

Based on: Pretty much all of them

The tale: A group of characters venture into the woods, each seeking something they believe will improve their lives: Cinderella wants to go to the ball, but is prevented by her evil stepmother and stepsisters; Jack seeks to find a better life after his friend Milky-White the cow is sold by his wealth-hungry mother; the baker and his wife long for a child, but the witch next door claims she's cursed them, something that can only be broken with a potion made from “the cow as white as milk, the cape as red as blood, the hair as yellow as corn, the slipper as pure as gold.”

How it's twisted: With a veritable who's who fairy tale names comprising the characters of this story, no one and nothing is sacred. Based on Steven Sondheim's Tony Award® winning lyrics and score, and played by much of the original Broadway cast, this imagined world has Cinderella, Rapunzel, Little Red Riding Hood, Jack, and many more living side-by-side as neighbors. Witty dialogue and comedic displays counterbalance the dark undertones of the characters' search for that which each desires. While each ultimately gets what they wish for, the tale doesn't end with the traditionally expected happily ever after.

 

Alice Alice (2009)

Based on: Alice in Wonderland

The story: Set almost 150 years after the original book, Alice (Catarina Scorsone), a woman in her 20s, finds herself literally in another world after her new boyfriend is kidnapped. She follows the van that snatched him off the street and falls through a looking glass. Captured with numerous other humans from her world, Alice manages to escape and ends up in the company of Hatter, a man who knows his way through the underworld of Wonderland. As she tries to get back home, Alice and Hatter seek to set things right, and manage to topple to towers of cards and casinos and free the humans who'd been abducted.

How it's twisted: Time has also passed in Wonderland, and not kindly. The previously skewed world of mad tea parties and off-with-your-head croquette games has morphed into a near-dystopian land of playing card-buildings and casinos, all under the cruel rule of a heartless monarch. Though many familiar characters are present -- The Queen of Hearts (Kathy Bates), The Mad Hatter -- The White Rabbit is now a secret organization that works for the queen, abducting humans and forcing them to play in the casinos so their emotions can be stolen and used as a drug. One familiar concept from the original remains: Alice in a blue dress.

 

Tin Man (2007) TinMan

Based on: The Wizard of Oz

The tale: Though initially this mini-series seems to be merely a modern retelling, with Oz similarly updated, it becomes clear that time has passed in both worlds, and DG (Zooey Deschanel) is more than just a waitress tired of her Kansas life. Actually placed on Earth to hide, and placed in the foster care of two androids playing the part of her guardians. When the ruler of Oz finds DG and sends her soldiers through a tornado to kill her, DG escapes through the storm and finds herself in Oz. When DG learns that she was once a citizen of Oz, she sets out to learn what she can about herself and her family.

How it's twisted: How do you count the ways? Aside from some similar names, very little in this tale lines up with the original story by Frank L. Baum. But that doesn't make it any less enjoyable as it reveals its own path along the -- now crumbling -- yellow brick road. Oz is O.Z., the Outer Zone, a near police-state ruled by the sorceress Azkadellia. Wyatt Cain (Neil McDonough) is a Tin Man, a law enforcement officer, encased in a tin suit for disobeying Azkadellia. He and DG join forces with Glitch (Alan Cumming), a man who's had half of his brain removed, and Raw, a “viewer” (similar to a psychic) who's people have been enslaved by Azkadellia. The final kicker is learning that DG is not Dorothy Gale, per se, but the many-great granddaughter of the “Gray Gale,” the original Dorothy of Baum's books, and the first person to “slip” between the worlds.

 

CompanyOfWolves The Company of Wolves (1985) 

Based on: Little Red Riding Hood

The tale: Taking a more gothic flourish -- with a dash of horror -- to the classic story of a little girl lost in the woods. Rosaleen, a young woman entering puberty, goes to bed and dreams her sister is killed by wolves. While her parents mourn, she is sent to live with her grandmother (Angela Lansbury), who knits a red cape for her granddaughter and tells her tales steeped with morals and warnings. Years later, Roseleen returns home and finds herself dealing with the advances of an amorous local boy. As per the tale, Rosaleen goes to visit her grandmother, complete with a basket of baked goods, and encounters an attractive huntsman along the way. But he's more than he appears.

How it's twisted: This tale unfolds within Rosaleen's dreams, yes, but it's more than just fairy tales taking place in a young girl's mind. The wolves are werewolves, as is the huntsman who challenges her in the woods of her dreams. Like the original version of Little Red Riding Hood, the Big Bad Wolf kills the grandmother and Little Red (Rosaleen) fights back, wounding the wolf/huntsman. He reverts to wolf form, injured but not dead. And Rosaleen, feeling pity for him, pets him tenderly. Rosaleen herself becomes a wolf and, to escape the other villagers. Much like the original Little Red Riding Hood, this is a tale steeped with awakening sexuality, but ending with both male and female characters in wolf form.

 

Faerie Tale Theatre (1982 - 1987) FaerieTaleTheatre

Based on: Pretty much all of them

The tale: A series of classic fairy and folk tales hosted by Shelley Duvall and acted by an enviable cast of Hollywood elite (Robin Williams, Liza Minnelli, Matthew Broderick, Mick Jagger, Eric Idle, and Susan Sarandon, just to name a few) take on 26 beloved stories.

How it's twisted: Perhaps lighter fare compared to some of the other adaptations listed above, this series is no less enjoyable, if nothing else for the cast of characters who joined Shelley Duvall.   

 

The following movies may not be adaptations of existing fairy tales, but they embrace the true spirit of storytelling, and we just couldn't leave them off the list.


TheFall The Fall

MirrorMask

Pan's Labyrinth

The Princess Bride

 

 

These are our twisted fairy tale favorites … what are your yours? --Jill Corddry

 

Not with a Bang, But a Whimper: "Vanishing on 7th Street" and Other Quiet Apocalypses

Vanishing_on_7th_Street

When it comes to depictions of the end of the world on films and in television, audiences seem to like their apocalypse scaled at an epic size. Films like Armageddon, 2012 and The Day After Tomorrow have presented our final days as special effects spectaculars that can be appreciated for their feats of technical skill as much as for the fear they produce. But a handful of movies have presented an extinction event as a much quieter affair, with life as we know it ending, as T.S. Eliot said in "The Wasteland," not with a bang, but a whimper.

Brad Anderson's Vanishing on 7th Street, which opens on February 18, presents such a scenario, with most of the world's population simply disappearing during a global blackout, leaving a handful of survivors in Detroit to cope as daylight begins to fade into permanent night. Following are a host of similarly quiet apocalypse films, ranging in tone from the sublime to the ridiculous.

Five (1951) One of the earliest, if not the first film to depict life after a nuclear holocaust, this heavy-handed but watchable drama by radio pioneer Arch Oboler (Lights Out) charges a quintet of survivors to rebuild society while sorting out their ideological differences. The futuristic house where much of the film's action takes place was a Frank Lloyd Wright creation owned by Oboler.

The World, The Flesh and the Devil (1959) Harry Belafonte stars as a mine inspector who escapes a cave-in, only to discover that humanity has been wiped out by atomic poisons. He finds two other survivors, Inger Stevens and Mel Ferrer, in an eerily vacant New York City; romantic and racial tensions are soon ignited between the two men, who must learn to overcome old beliefs in order to survive in their new world.

Continue reading "Not with a Bang, But a Whimper: "Vanishing on 7th Street" and Other Quiet Apocalypses" »

"The Social Network" Named Best Film of The Year by Board of Review

Product Details And we're off! The National Board of Review, which last year named Up in the Air the best film of 2009, has bestowed that honor to The Social Network. The NBR typically is the first Oscar predictor out the gate, and while it's not always right, it does hew pretty close to the final list of nominees. Director David Fincher and star Jesse Eisenberg also picked up directing and acting accolades for the film. Here's the list:

Best Film: The Social Network

Top 10 Films:
Another Year, The Fighter, Hereafter, Inception, The King’s Speech, Shutter Island, The Town, Toy Story 3, True Grit, Winter’s Bone

Best Director: David Fincher, The Social Network

Best Actor: Jesse Eisenberg, The Social Network

Best Actress: Lesley Manville, Another Year

Best Supporting Actor: Christian Bale, The Fighter

Best Supporting Actress: Jacki Weaver, Animal Kingdom

Best Foreign Film: Of Gods and Men

Top Five Foreign Films: I Am Love; Incendies; Love, Above All; Soul Kitchen; White Material

Best Documentary: Waiting for “Superman”

Top Five Documentaries: A Film Unfinished, Inside Job, Joan Rivers: A Piece of Work, Restrepo, The Tillman Story

Best Animated Feature: Toy Story 3

Best Ensemble Cast: The Town

Breakthrough Performance: Jennifer Lawrence, Winter’s Bone

Best Directorial Debut: Tim Hetherington & Sebastian Junger, Restrepo

Best Original Screenplay: Chris Sparling, Buried

Best Adapted Screenplay: Aaron Sorkin, The Social Network

Special Filmmaking Achievement Award: Sofia Coppola, Somewhere

Top 10 Independent Films: Animal Kingdom, Buried, Fish Tank, The Ghost Writer, Greenberg, Let Me In, Monsters, Please Give, Somewhere, Youth in Revolt

--Ellen

Independent Spirit Award Nominees Announced

Product DetailsThe 2011 Film Independent Spirit Award nominations have been announced, honoring the best in the indie/art house world. Key nominees are below:

Best Feature
127 Hours
Black Swan
Greenberg
The Kids Are All Right
Winter's Bone

Best Director
Darren Aronofsky, Black Swan
Danny Boyle, 127 Hours
Lisa Cholodenko, The Kids Are All Right
Debra Granik, Winter's Bone
John Cameron Mitchell, Rabbit Hole

Product Details Best Female Lead
Annette Bening, The Kids Are All Right
Greta Gerwig, Greenberg
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

Best Male Lead
Ronald Bronstein, Daddy Longlegs
Aaron Eckhart, Rabbit Hole
James Franco, 127 Hours
John C. Reilly, Cyrus
Ben Stiller, Greenberg

Best First Feature
Everything Strange and New
Get Low
Night Catches Us
The Last Exorcism
Tiny Furniture

John Cassavetes Award
Daddy Longlegs
Lbs.
Lovers of Hate
Obselidia
The Exploding Girl

Product Details Best Screenplay
Stuart Blumberg, Lisa Cholodenko, The Kids Are All Right
Debra Granik, Anne Rosellini, Winter's Bone
Nicole Holofcener, Please Give
David Lindsay-Abaire, Rabbit Hole
Todd Solondz, Life During Wartime

Best Supporting Female
Ashley Bell, The Last Exorcism
Dale Dickey, Winter's Bone
Allison Janney, Life During Wartime
Daphne Rubin-Vega, Jack Goes Boating
Naomi Watts, Mother and Child

Best Supporting Male
John Hawkes, Winter's Bone
Samuel L. Jackson, Mother and Child
Bill Murray, Get Low
John Ortiz, Jack Goes Boating
Mark Ruffalo, The Kids Are All Right

Best First Screenplay
Diane Bell, Obselidia
Lena Dunham, Tiny Furniture
Nik Fackler, Lovely, Still
Bob Glaudini, Jack Goes Boating
Dana Adam Shapiro, Evan M. Wiener, Monogamy

Best Foreign Film
Kisses (Ireland), Director: Lance Daly
Mademoiselle Chambon (France), Director: Stéphane Brizé
Of Gods and Men (Morocco), Director: Xavier Beauvois
The King's Speech (United Kingdom), Director: Tom Hooper
Uncle Boonmee Who Can Recall His Past Lives (Thailand), Director: Apichatpong Weerasethakul

Product Details Best Documentary
Exit Through the Gift Shop
Marwencol
Restrepo
Sweetgrass
Thunder Soul

Best Cinematography
Adam Kimmel, Never Let Me Go
Matthew Libatique, Black Swan
Jody Lee Lipes, Tiny Furniture
Michael McDonough, Winter's Bone
Harris Savides, Greenberg

Robert Altman Award
Please Give

What were the best indie films you saw this year? -- Ellen

Best Art House & International DVDs of 2010

The finest art house DVDs offer something for most tastes, from pointed melodramas to star-crossed love affairs. If laughs were in short supply, powerful performances and intriguing imagery ruled the day.

 

1. The White Ribbon:  After his unnecessary English-language overhaul of Funny Games, Austria’s Michael Haneke took on the roots of fascism in this beautifully-shot melodrama about a small town rotting from the inside.

2. Summer Hours (The Criterion Collection): There are no heroes or villains in the upper-class family at the heart of Olivier Assayas's quietly moving film, just a mother and her children trying to do right by each other in the face of mortality.

3. A Prophet: Jacques Audiard injects new life into the prison drama by tracking the rise of a French-Arab man who climbs the ladder from convict to kingpin. Comparisons to The Godfather were not misplaced. 

4. Bright Star: Jane Campion’s painterly portrait of the brief relationship between poet John Keats and Fanny Brawne brings young love to life in all its agony and glory. Her finest feature since The Piano.

5. Lorna's Silence: Belgian brothers Jean-Luc and Pierre Dardenne leave the suds behind for a gripping look at a marriage of convenience that blooms into love between a drug addict and an illegal immigrant. 

6. The Kids Are All Right: Lisa Cholodenko doesn't just create fully rounded characters, but entire communities, and her third film isn't just about parents and children, but about the ties that truly bind. Bonus: it’s hilarious. 

7. Winter's Bone: Down to the Bone director Debra Granik reinvents the procedural for the harrowing tale of a tenacious Appalachian teenager trying to save the family home against unbelievable odds. 

8. Fantastic Mr. Fox: This stop-motion adaptation of the Roald Dahl classic marks Wes Anderson’s most enjoyable outing since Rushmore. George Clooney is perfection as the family man-turned-action hero. 

9. Greenberg: After the morose Margot at the Wedding, Noah Baumbach’s carefully observed romantic comedy feels downright buoyant, thanks largely to the effortless charm of Greta Gerwig.

10. Bad Lieutenant: Port of Call New Orleans: Neither a remake nor a sequel to the Abel Ferrara original, Werner Herzog’s New Orleans noir stars a gloriously unhinged Nicolas Cage as a dirty, pill-popping detective with one last shot at redemption. 

Check out the rest of our Best of 2010 store for more editors' picks and customer's favorites. What were your favorite indie & foreign-language films of 2010? --Kathleen C. Fennessy

The Best Movies & TV of 2010 on DVD

InceptionSo after a lot of head-scratching, dart-throwing, and name-calling (well, not really, but it certainly would have made things more interesting) the movies & TV editors at Amazon have brought you the Editors' Top 100 Picks on DVD. These are movies & TV shows releasing on DVD through Dec. 31. Our top 10:

1. Inception: It releases Dec. 7, but not calling it the best movie releasing on DVD in 2010 would be a very bad dream indeed.
2. Toy Story 3: The most successful animated film of all time was also one of the most heart-tugging moviegoing experiences this year.
3. The Hurt Locker: The Best Picture winner released back in January but still packs a punch.
4. Mad Men: Season Three: The writing, the direction, the style, the acting. Basically the closest thing to a perfect drama in 2010.
5. Modern Family: The Complete First Season: This freshman comedy broke 30 Rock's reign as Outstanding Comedy at the Emmys this year.
6. Up in the Air: A wonderful drama with deft comedy starring George Clooney (never better) and fellow Oscar nominees Anna Kendrick and Vera Farmiga.
7. Despicable Me: Nobody expected this mid-summer family film to gross $247 million or be quite so adorable.
8. Dexter: The Fourth Season: Already a pretty dark show, the Trinity Killer season went even deeper, culminating in a shocking season finale.
9. Kick-Ass: No superhero film is quite like this one, with scene-stealer Chloe Grace-Moretz and Nicolas Cage having one of the most genuinely loving father-daughter relationships in recent memory (even though it's also completely twisted).
10. Glee: The Complete First Season: You may have heard of this show. It rocks.

See the rest of our top 100 here and add your own suggestions (believe me, it was tough). Our Editor's Picks in Blu-ray will be posted a little later. --Ellen

 

Satoshi Kon, 1963-2010

Satoshi Kon Acclaimed Japanese director Satoshi Kon passed away on Tuesday at the age of 46. He was best known for the anime films Perfect Blue, Paprika, Millennium Actress, and Tokyo Godfathers as well as the TV series Paranoia Agent. You can read Amazon contributor Charles Solomon's remembrance in The Los Angeles Times.  Kon himself wrote a farewell letter in which he discusses his final months of living with pancreatic cancer (English translation here). It's heartbreaking to read, and ends simply:

With my heart full of gratitude for everything good in the world, I'll put down my pen.

Now excuse me, I have to go.

Satoshi Kon

Top 100 Films of the '90s?

The International Cinephile Society released a list of the Top 100 Films of the 1990s, and their picks may surprise you.

Their intro goes as follows: "ICS has spent the past few months painting a many-colored mural of what we consider the filmic masterworks of the 1990s. Not only that, we’ve created a write-up for each film on the list, highlighting our own distinct view of these icons and oddities from a decade famed for both. Overall, 28 ICS members from 10 different countries contributed their work and their expertise. Some went in for scholarly analysis, others penned pithy short reviews, while a few came up with surprising personal takes on 'what this movie means to me.' Expressed in varying shades of depth, passion, intellect, impressionism and playfulness, here are our choices and our rationale.

Who are the International Cinephile Society? An online group made up of 60 accredited journalists, film scholars, historians and other industry professionals who cover film festivals and events on five continents, according to their web site.

Missing? Many are sure to cry foul that Saving Private Ryan and Titanic aren't on the list (the latter, while slammed often nowadays, would surely have made a top 100 list, no?) but that's why these lists are fun. You can see the top 100 below, or read through the countdown to see their rationale.

01. The Thin Red Line (Malick, 1998)
02. Short Cuts (Altman, 1993)
03. Trois couleurs: Rouge (Kieslowski, 1994)
04. Breaking the Waves (von Trier, 1996)
05. The Age of Innocence (Scorsese, 1993)
06. My Own Private Idaho (Van Sant, 1991)
07. Eyes Wide Shut (Kubrick, 1999)
08. Trois couleurs: Bleu (Kieslowski, 1993)
09. The Ice Storm (Lee, 1997)
10. Goodfellas (Scorsese, 1990)
11. Being John Malkovich (Jonze, 1999)
12. LA Confidential (Hanson, 1997)
13. Sense and Sensibility (Lee, 1995)
14. The Double Life of Véronique (Kieslowski, 1991)
15. Safe (Haynes, 1995)
16. All About My Mother (Almodóvar, 1999)
17. Unforgiven (Eastwood, 1992)
18. The Remains of the Day (Ivory, 1993)
19. Pulp Fiction (Tarantino, 1994)
20. The English Patient (Minghella, 1996)
21. Chungking Express (Wong, 1994)
22. Close-Up (Kiarostami, 1990)
23. The Grifters (Frears, 1990)
24. Barton Fink (Coen & Coen, 1991)
25. The Piano (Campion, 1993)
26. Secrets & Lies (Leigh, 1996)
27. A Taste of Cherry (Kiarostami, 1997)
28. Ed Wood (Burton, 1994)
29. Lost Highway (Lynch, 1997)
30. Happy Together (Wong, 1997)
31. Mother and Son (Sokurov, 1997)
32. Magnolia (Anderson, 1999)
33. Howards End (Ivory, 1992)
34. Les amants du Pont-Neuf (Carax, 1991)
35. The Long Day Closes (Davies, 1992)
36. The Silence of the Lambs (Demme, 1991)
37. Naked Lunch (Cronenberg, 1991)
38. Heavenly Creatures (Jackson, 1994)
39. Lone Star (Sayles, 1996)
40. Raise the Red Lantern (Zhang, 1991)
41. Edward Scissorhands (Burton, 1990)
42. Naked (Leigh, 1993)
43. Fargo (Coen & Coen, 1996)
44. Schindler’s List (Spielberg, 1993)
45. Husbands and Wives (Allen, 1992)
46. Beauty and the Beast (Trousdale & Wise, 1991)
47. The Truman Show (Weir, 1998)
48. La belle noiseuse (Rivette, 1991)
49. Miller’s Crossing (Coen & Coen, 1990)
50. Sátántangó (Tarr, 1994)
51. Jackie Brown (Tarantino, 1997)
52. Rushmore (Anderson, 1998)
53. Rosetta (Dardenne & Dardenne, 1999)
54. Dead Man (Jarmusch, 1995)
55. Groundhog Day (Ramis, 1993)
56. Underground (Kusturica, 1995)
57. Flowers of Shanghai (Hou, 1998)
58. The Wind Will Carry Us (Kiarostami, 1999)
59. Starship Troopers (Verhoeven, 1997)
60. Thelma & Louise (Scott, 1991)
61. Wild at Heart (Lynch, 1990)
62. Days of Being Wild (Wong, 1990)
63. The Player (Altman, 1992)
64. La cérémonie (Chabrol, 1995)
65. Beau travail (Denis, 1999)
66. The Talented Mr. Ripley (Minghella, 1999)
67. Fallen Angels (Wong, 1995)
68. The Big Lebowski (Coen & Coen, 1998)
69. Titus (Taymor, 1999)
70. Vanya on 42nd Street (Malle, 1994)
71. Crash (Cronenberg, 1996)
72. Ulysses’ Gaze (Angelopoulos, 1995)
73. Van Gogh (Pialat, 1991)
74. Babe (Noonan, 1995)
75. Before Sunrise (Linklater, 1995)
76. A Brighter Summer Day (Yang, 1991)
77. Boogie Nights (Anderson, 1997)
78. American Beauty (Mendes, 1999)
79. Dead Man Walking (Robbins, 1995)
80. Kundun (Scorsese, 1997)
81. Porco Rosso (Miyazaki, 1992)
82. Smoking/No Smoking (Resnais, 1993)
83. The Crying Game (Jordan, 1992)
84. Gattaca (Niccol, 1997)
85. The Nightmare Before Christmas (Selick, 1993)
86. Trainspotting (Boyle, 1996)
87. Trois couleurs: Blanc (Kieslowski, 1994)
88. Bullets Over Broadway (Allen, 1994)
89. Everyone Says I Love You (Allen, 1996)
90. Eve’s Bayou (Lemmons, 1997)
91. Goodbye South, Goodbye (Hou, 1996)
92. Se7en (Fincher, 1995)
93. Carlito’s Way (De Palma, 1993)
94. Romy and Michele’s High School Reunion (Mirkin, 1997)
95. Un coeur en hiver (Sautet, 1992)
96. The Straight Story (Lynch, 1999)
97. Dong (Tsai, 1998)
98. JFK (Stone, 1991)
99. A Summer’s Tale (Rohmer, 1996)
100. Edward II (Jarman, 1991)

Do you agree? My biggest beefs are the inclusion of Starship Troopers, Romy and Michele's High School Reunion (which had flashes of brilliance but didn't live up to its comic potential); and Everyone Says I Love You, which I thought was horrible. I might be one of the few who enjoyed Trois Couleurs: Bleu (#8) more than Trois Couleurs: Rouge (#3), but was glad to see the underrated Blanc (#87) also made the list. I think it's daring they put Scorsese's Age of Innocence higher than Goodfellas, which is probably unpopular but not really wrong either. I'm also happy with the rankings of Remains of the Day over Howards End; like Sense & Sensibility and The Truman Show where they are; but think Babe could have been higher. --Ellen

P.S.: After actually thinking about films from the '90s I would have added Toy Story/Toy Story 2, The Fugitive, and Out of Sight. That's just off the top of my head though.


The Hong Kong Connection: Movies by the Shaw Brothers

The 14 Amazons (Shaw Brothers)

I admit I had never heard of the Shaw Brothers till I saw Quentin Tarantino's Kill Bill, Vol. 1 and was struck by the funky '70s-flavored opening credits (see bottom clip). Fortunately the original movies have been coming out on DVD since then, including a new wave of 15 films from FUNimation Entertainment (better known for their anime line) called the Hong Kong Connection. The complete list is below.  --David

Oscar Nominations: Five Surprises

The Blind SideI'm still a bit bleary-eyed from this morning's 5:30 a.m. call, but this year's Oscar nominees have been announced. Avatar and The Hurt Locker, as expected, tied for the most nominations with nine each. You can see the full list and nab the ones already available for pre-order, and meanwhile ponder these surprises:

1) The Blind Side in the Best Picture race? Really?! Over Star Trek, A Single Man, Invictus, and a host of other films that made the top 10 lists other than this one? (Seriously, I would have been less surprised over The Hangover being mentioned instead.) My big fear here is that this nod will cinch Sandra Bullock the Best Actress crown over Meryl Streep, whom, it must be said, I am really rooting for this year, because despite her 16 record nominations, the woman last won in 1982. That's also only a 0.125 batting average. There weren't just gasps this morning upon the inclusion; there was also a bit of stuttering.

2) No Clint Eastwood in the Best Director category. The awards buzz for Invictus has been slowly fading since its opening, which had strong but not wild reviews. Despite its nods for Morgan Freeman and Matt Damon, it was not only shut out of the Best Picture race but copped no nod for the evergreen nominee.

3) Maggie Gyllenhaal edges out Julianne Moore for Best Supporting Actress. There were no late-breaking upsets in the acting categories, but this was the first showing of Gyllenhaal (Crazy Heart) in awards season over the four times-nominated Moore. Diane Kruger (Inglourious Basterds) also had an outside shot, considering she got the SAG nomination instead of Moore. Still, it's a pleasant surprise for Gyllenhaal, who always does great work.

4) What is The Secret of Kells? The producers of Cloudy With a Chance of Meatballs, Ponyo, and many other overlooked animated films all scratched their heads over the inclusion of this Irish tale about monks and Vikings.

5) The strength of The Last Station in the acting categories, especially 1) No one ever talks about this film, and 2) it also was not nominated for anything else. The Young Victoria's Emily Blunt is left to watch at home (or perhaps present at the awards) with her adorable fiance as grand dame Helen Mirren instead takes her place in the Best Actress race. And kudos to Christopher Plummer, who, with a nod for Best Supporting Actor has received his very first career Oscar nomination at the age of 80.

--Ellen

Armchair Commentary™ Contributors

May 2013

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