"Frozen": Writer/Director Adam Green
Adam Green exploded onto the horror genre scene with his debut feature film Hatchet in 2006. He followed that up with the equally disturbing and horrifying films Spiral and Grace. This year, Green’s survival-on-the-mountain thriller Frozen premiered at the perfect setting - a snow covered Sundance Film Festival. It surprised festival-goers and movie critics alike. Rex Reed “nearly chewed a pencil in half” he was so scared, while NBC’s Gene Shalit, The Chicago Sun Times’ Richard Roeper, and The New York Times all hailed Frozen as one of the best of it’s kind and drew comparison’s between Green and both Alfred Hitchcock and Steven Spielberg.
Read Adam's blog below about the filming of Frozen (yes, the actors really were suspended on a freezing mountain) and pre-order your copy of Frozen on DVD and Blu-ray. Warning - you may never want to go on that last run of the night again! -- Lisanne
In making Frozen I was faced with the difficult decision between shooting the film entirely practically or shooting it while incorporating such luxuries as a sound stage or green screen for certain scenes. Given the fact that most of the story takes place fifty feet in the air and in treacherous weather conditions, the pressure was on me to try and pull off the shoot in as safely and as financially secure a way as possible. However, I truly feel that modern audiences are way too smart and savvy to believe a survival film shot in the safety of a sound stage and that if I gave the actors physical relief that it would not be serving the story or their performances justice.
So there we were, on the side of a mountain, at 10,000 feet, overnight, in the dead of winter, shooting through blizzards of up to 36 inches of snow a night, hanging from a chair lift cable fifty feet in the air, and literally risking our lives at times. Throughout our shoot, my crew even received calls from other film productions around the country asking if it was true what we were attempting to do and claiming that we must be crazy. People all over the world were talking about us and taking bets on whether or not we would indeed finish. I was even called “Ahab” during pre-production because of my unbending will to do everything in Frozen as practically as possible no matter how hard it would be. I was going to conquer that mountain and you were either with me or against me.
We not only finished on-time and on-budget, but the Frozen experience is as undeniably “real” as it gets in every way. Watching the film slay audiences at its Sundance world premiere and in its theatrical run was a dream come true. Skeptic audience members would come in with their arms crossed and their own pompous solutions to the character’s plight only to wind up dropping, fainting, crying, or throwing up and leaving the theater winded after the last reel. Seeing mainstream critics like Rex Reed, Richard Roeper, Gene Shalit, and the NY Times rave about an independent film that came out of nowhere was one of the most satisfying feelings in the world. In the end, that crucial decision to shoot the film practically, however unpopular, literally made all of the difference and while I still don’t know where or how I found the courage to attempt doing it, I would insist on doing it the same exact way if I had to do it again. With Frozen, it’s just not the film itself that audiences are watching, it’s the courage and determination of an absolutely unbeatable crew that will have viewers forever saying “wait… how did they do that?” - Adam Green Writer/Director

