Documentaries

Michael Moore Interview for "Capitalism: A Love Story"

Turns out spending 30 minutes on the phone with Michael Moore is a great antidote to apathy disease.  So is watching Capitalism: A Love Story.  These days caring about the state of our country and following politics tends to be an emotional rollercoaster ride (at least for me).  I don’t pretend to be anything but the choir Moore’s critics most often complain he’s preaching too, but it’s been too easy to check-out in frustration and pretend like it doesn’t matter.  Moore’s new movie is a reminder that it does and that we have power over the state of things.  Talking to him felt like an extension of watching his intensely personal films and confirmed his intense commitment to igniting change and his deep love for our country.  It was completely inspiring (note my use of that word in the interview about 2000 times :)).  -- Kira


Sundance 2010 Wrap Up

Egyptian Okay, so I know the big news of the week is of course the Oscar nominations, but some of the industry may still be recovering from the 26th Sundance Film Festival, which concluded this past weekend. It was my first Sundance experience and I think can best be summed up simply by saying it's exhilarating, exhausting...and involves a lot of snow! And of course, I am now addicted.

Considering this year’s Sundance stars may just be next year’s Oscar babies (case in point:Oscar-nominated Precious,  The Messenger and An Education were Sundance ’09 winners), I thought I would share my thoughts on the fest films that caught my attention:

1. Blue Valentine – A drama with star power that actually proved worthy of it’s praise. Michelle Williams and Ryan Gosling  play a married couple who’s complex relationship story is told. It’s shot beautifully and both actors turn in raw and real performances worth watching for that alone. Yes, it's a bit of a downer, but it was my favorite performances and film at the festival. And Harvey thought so too – The Weinstein Company purchased it.

2. Restrepo - a timely documentary that chronicles the deployment of a platoon of U.S. soldiers in Afghanistan. Filmmakers Sebastian Junger and Tim Hetherington's spent a year living with the unit – it's as real as it gets. Their hard work paid off, as the film went on to on the world cinema documentary grand jury prize, and although I didn’t get to see it, it came up in many conversations and made the top films of the fest lists of critics and film-goers alike.

3. Buried - Sole actor Ryan Reynolds trapped in a coffin with only a lighter and a cell phone. My first thought when I read this in the film guide prior to the festival was “Wait, an entire movie with just Ryan Reynolds?” And quickly my 2nd thought turned to “Wait, an ENTIRE movie with JUST Ryan Reynolds!” Frankly I would pay $10 to see Ryan Reynolds staring at the wall for all I care, but maybe that's just me.  Turns out I am not the only one - the film was quite the talk opening weekend (and not by just crazy women like me – apparently it was quite innovative and, well, good). The bidding war started quickly after its premiere and it was the first Sundance 2010 film purchased (by Lionsgate).

4. Winter’s Bone – A young girl from the Ozarks hunts down her father while trying to keep her family together. I also wasn't able to see this, but after it’s premiere on Sat. of opening weekend, I heard nothing but good things from those that saw this drama/thriller/mystery. And it won the big one – the Grand Jury Dramatic Prize as well as the Waldo Salt screenwriting award. It was purchased as well, and be on the look-out for a rumored summer release.

5.  Happythankyoumoreplease proved a winner for writer/director/actor Josh Radnor ( of How I Met Your Mother fame), and not just because in my opinion it has the best name of the festival. The dramedy took home the dramatic audience award. In Josh’s words “The movie's about relationships, people in New York trying to be a little happier and a little less cynical.” Sometimes you just can't take another downer film, so a charming and fun film like this seemed a welcome one. Fingers crossed this one gets purchased and gets some marketing power behind it, as I am thinking it could be a perfect little uplifting summer indie.

6. I also enjoyed Hesher – Spencer Susser’s black Comedy starring Joseph Gordon-Levitt and Natalie Portman (who served double-duty as producer as well). It seemed to receive mixed reactions from audiences, but it was another lucky one that found a home - snapped up Newmarket Films. Joseph plays a crude rebel with ease, and teen Devin Brouchu is impressive in a challenging role. (One of the many great kid/teen performances seen at Sundance this year.) It’s dark and humorous (and R rated to say the least) - and I think it will find it’s fans. As it should, cause man poor Devin just gets the crap beat out of him in that movie and he deserves something just for that!

7. Adrian Grenier’s Teenage Paparazzo is also one I have to add to my list (and no, not just because I heart Vincent Chase).  Adrian explores the subject of our celebrity obsession through the eyes of a teen paparrazo. Seriously – the kid is like 13 and on his scooter in L.A. at 3AM taking pap shots. It’s entertaining, fascinating, and an interesting take on our media culture. You know, I think Adrian has a back-up job with this director thing in case that whole Entourage thing doesn’t pan out.

So there's my list - acknowledging that there were many incredible films that I may be leaving out - so hope you can go explore them for yourself! And although this blog is getting far to long, I can't resist but to leave you with my top 4 random festival thoughts as I close the book on Sundance 2010:

1. Even at a festival filled with industry professionals and filmmakers from all over the world, the after-movie Q&A with the cast will still involve stupid questions from the audience that will cause you to cringe. Case in point, with Ryan Gosling and Oscar-nominated Michelle Williams fielding post screening of Blue Valentine Q&A, an audience member chose to ask about the hairstyle of the little girl in the film. Yes, after waving your hand wildly with all that talent in the room, why the child actor has a “sophisticated haircut” is exactly what I would want to know. And that preceded a question about if Ryan would take off his shirt, following a question about The Notebook. Really Sundance crowd? I expected more for you! I mean not that I wouldn’t mind seeing Ryan without his shirt on, but that is not the point.

2. The Commish rocks! (Okay some of you may know him better from The Shield, but he will always be the Commish to me.) Michael Chiklis and his band can rock a crowd and cause celebs to even whip out their cameras. At the HIGH School premiere party he got the cast on stage and even made Collin Hanks look (slightly) less awkward and rock out.

3) Paris Hilton’s hair is so blonde it can be seen even in a dark theater kinda like a glow stick. No joke.

4) Watching the world premiere of a film with what seemed like the entire cast/crew sitting in front of me, cheering wildly throughout the beginning credits, hugging each other and giving high-fives was the most incredible reminder of just what a big deal it is to actually get a film on to the screen, and to the people involved with it. To the cast/crew of Skateland (a coming-of-age dramedy that pays homage to the 80’s John Hughes films, with great 80’s clothes and soundtrack to boot), thanks for inspiring me to remember what makes the film community and festival amazing. Amidst the Sundance deals, the parties and star power, at the end of the day there truly is a celebration of film still going on.

So thanks Bob (that’s Robert Redford to the rest of you) – and best of luck to all the lucky Sundance kids!  I’m already counting down to Sundance 2011! -- Lisanne

Oscar Nominations: Five Surprises

The Blind SideI'm still a bit bleary-eyed from this morning's 5:30 a.m. call, but this year's Oscar nominees have been announced. Avatar and The Hurt Locker, as expected, tied for the most nominations with nine each. You can see the full list and nab the ones already available for pre-order, and meanwhile ponder these surprises:

1) The Blind Side in the Best Picture race? Really?! Over Star Trek, A Single Man, Invictus, and a host of other films that made the top 10 lists other than this one? (Seriously, I would have been less surprised over The Hangover being mentioned instead.) My big fear here is that this nod will cinch Sandra Bullock the Best Actress crown over Meryl Streep, whom, it must be said, I am really rooting for this year, because despite her 16 record nominations, the woman last won in 1982. That's also only a 0.125 batting average. There weren't just gasps this morning upon the inclusion; there was also a bit of stuttering.

2) No Clint Eastwood in the Best Director category. The awards buzz for Invictus has been slowly fading since its opening, which had strong but not wild reviews. Despite its nods for Morgan Freeman and Matt Damon, it was not only shut out of the Best Picture race but copped no nod for the evergreen nominee.

3) Maggie Gyllenhaal edges out Julianne Moore for Best Supporting Actress. There were no late-breaking upsets in the acting categories, but this was the first showing of Gyllenhaal (Crazy Heart) in awards season over the four times-nominated Moore. Diane Kruger (Inglourious Basterds) also had an outside shot, considering she got the SAG nomination instead of Moore. Still, it's a pleasant surprise for Gyllenhaal, who always does great work.

4) What is The Secret of Kells? The producers of Cloudy With a Chance of Meatballs, Ponyo, and many other overlooked animated films all scratched their heads over the inclusion of this Irish tale about monks and Vikings.

5) The strength of The Last Station in the acting categories, especially 1) No one ever talks about this film, and 2) it also was not nominated for anything else. The Young Victoria's Emily Blunt is left to watch at home (or perhaps present at the awards) with her adorable fiance as grand dame Helen Mirren instead takes her place in the Best Actress race. And kudos to Christopher Plummer, who, with a nod for Best Supporting Actor has received his very first career Oscar nomination at the age of 80.

--Ellen

Howard Zinn, 1922-2010

As noted in Omnivoracious and other sources, Howard Zinn passed away on Wednesday at the age of 87.  We'd like to share with you a short clip Zinn filmed along with Anthony Arnove about the DVD The People Speak, a follow-up to their books A People's History of the United States and Voices of a People's History of the United States. --David

Oscar Forecast: "Up in the Air" Wins Best Picture From NBR

George Clooney in DreamWorks Pictures' Up in the Air - 2009The National Board of Review, who always shoots out the gate first with the year-end best pics, has named Up in the Air the best picture of the year. It gave that honor last year to eventual Oscar Best Picture winner Slumdog Millionaire, but it's been hit-or-miss in past years. Note that now the Academy has expanded its Best Pic nominees to 10, the Board of Review's top 10 might align a little more closely (though Precious and Nine, both predicted to make the list, are missing here). Here's its top awards:

Best Picture: Up in the Air

Top 10 Films:

An Education
(500) Days of Summer
The Hurt Locker
Inglourious Basterds
Invictus
The Messenger
A Serious Man
Star Trek
Up
Where the Wild Things Are

Best Director: Clint Eastwood, Invictus

Best Actor: George Clooney, Up in the Air, and Morgan FreemanInvictus

Best Actress: Carey Mulligan, An Education

Best Supporting Actor: Woody Harrelson, The Messenger

Best Supporting Actress: Anna Kendrick, Up in the Air

Best Original Screenplay: Joel and Ethan Coen, A Serious Man

Best Adapted Screenplay: Jason Reitman and Sheldon Turner, Up in the Air

Breakthrough Actor: Jeremy Renner, The Hurt Locker

Breakthrough Actress: Gabourey Sidibe, Precious

Best Foreign-Language Film: A Prophet

Top Five Foreign-Language Films:
The Maid
Revanche
Song of Sparrows
Three Monkeys
The White Ribbon

Best Documentary: The Cove

Top Five Documentaries:
Burma VJ
Crude
Food, Inc.
Good Hair
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers

Best Animated Film: Up

Best Ensemble Cast: It’s Complicated

Best Directorial Debut: Duncan Jones, Moon; Oren Moverman, The Messenger; Marc Webb, (500) Days of Summer

BVLGARI Award for Freedom of Expression: Burma VJ, Invictus

Top 10 Independent Films:

Amreeka
Goodbye Solo
Humpday
In the Loop
Julia
Me and Orson Welles
Moon
Sugar
Two Lovers


--Ellen

Indie Spirit Award Nominees Announced

Gabourey SidibePrecious and The Last Station topped the Independent Spirit Award nominations today. They'll both battle for Best Feature along with (500) Days of Summer, Amreeka and Sin Nombre. The awards air Friday, March 5 on IFC. Here's a list of the major nominees. --Ellen

BEST FEATURE
(500) Days of Summer
Amreeka
Precious
Sin Nombre
The Last Station

BEST DIRECTOR
Ethan Coen, Joel Coen, A Serious Man
Lee Daniels, Precious
Cary Joji Fukunaga, Sin Nombre
James Gray, Two Lovers
Michael Hoffman, The Last Station

BEST SCREENPLAY
Alessandro Camon, Oren Moverman, The Messenger
Michael Hoffman, The Last Station
Lee Toland Krieger, The Vicious Kind
Greg Mottola, Adventureland
Scott Neustadter, Michael H. Weber, (500) Days of Summer

BEST FIRST FEATURE
A Single Man - Director: Tom Ford
Crazy Heart
- Director: Scott Cooper
Easier With Practice - Director: Kyle Patrick Alvarez
Paranormal Activity - Director: Oren Peli
The Messenger - Director: Oren Moverman

BEST FIRST SCREENPLAY
Sophie Barthes, Cold Souls
Scott Cooper, Crazy Heart
Cherien Dabis, Amreeka
Geoffrey Fletcher, Precious
Tom Ford, David Scearce, A Single Man

JOHN CASSAVETES AWARD - Given to the best feature made for under $500,000
Big Fan

Humpday

The New Year Parade

Treeless Mountain

Zero Bridge

BEST FEMALE LEAD
Maria Bello - Downloading Nancy
Nisreen Faour - Amreeka
Helen Mirren - The Last Station
Gwyneth Paltrow - Two Lovers
Gabourey Sidibe - Precious

BEST MALE LEAD
Jeff Bridges - Crazy Heart
Colin Firth - A Single Man
Joseph Gordon-Levitt - (500) Days of Summer
Souléymane Sy Savané - Goodbye Solo
Adam Scott - The Vicious Kind

BEST SUPPORTING FEMALE
Dina Korzun - Cold Souls
Mo'Nique - Precious
Samantha Morton - The Messenger
Natalie Press - Fifty Dead Men Walking
Mia Wasikowska - That Evening Sun

BEST SUPPORTING MALE
Jemaine Clement - Gentlemen Broncos
Woody Harrelson - The Messenger
Christian McKay - Me and Orson Welles
Raymond McKinnon - That Evening Sun
Christopher Plummer - The Last Station

BEST CINEMATOGRAPHY
Roger Deakins - A Serious Man
Adriano Goldman - Sin Nombre
Anne Misawa - Treeless Mountain
Andrij Parekh - Cold Souls
Peter Zeitlinger - Bad Lieutenant: Port of Call New Orleans

BEST DOCUMENTARY
Anvil! The Story of Anvil
Food, Inc.
More Than A Game
October Country
Which Way Home

BEST FOREIGN FILM
A Prophet (France)
An Education (UK/France)
Everlasting Moments (Sweden)
Mother (South Korea)
The Maid (Chile)

ROBERT ALTMAN AWARD - (Given to one film's director, casting director, and its ensemble cast)
A Serious Man

Q&A with "Food, Inc." Producer/Director Robert Kenner, Co-Producer/Food Expert Eric Schlosser, Food Expert Michael Pollan and Producer Elise Pearlstein

Food, Inc.

Learn more about the critically acclaimed film Food, Inc. from producers and contributors to the film in this compelling Q&A.

How did this film initially come about?
Kenner: Eric Schlosser and I had been wanting to do a documentary version of his book, Fast Food Nation.  And, for one reason or another, it didn't happen. By the time Food, Inc. started to come together, we began talking and realized that all food has become like fast food, and all food is being created in the same manner as fast food.

How has fast food changed the food we buy at the supermarket?
Schlosser: The enormous buying power of the fast food industry helped to transform the entire food production system of the United States.  So even when you purchase food at the supermarket, you’re likely to be getting products that came from factories, feedlots and suppliers that emerged to serve the fast food chains.

How many years did it take to do this film and what were the challenges?
Kenner: From when Eric and I began talking, about 6 or 7 years.  The film itself about 2 ½ years.  It has taken a lot longer than we expected because we were denied access to so many places.

Pearlstein: When Robby brought me into the project, he was adamant about wanting to hear all sides of the story, but it was nearly impossible to gain access onto industrial farms and into large food corporations.  They just would not let us in.  It felt like it would have been easier to penetrate the Pentagon than to get into a company that makes breakfast cereal.  The legal challenges on this film were also unique.  We found it necessary to consult with a first amendment lawyer throughout the entire filming process.

Who or what influenced your film?
Kenner: This film was really influenced by Eric Schlosser and Fast Food Nation, but then as we were progressing and had actually gotten funding, it became very influenced as well by Michael Pollan and his book Omnivore’s Dilemma

And then, as we went out into the world, we became really incredibly influenced by a lot of the farmers we met.

What was the most surprising thing you learned?
Kenner: As we set out to find out how our food was made, I think the thing that really became most shocking is when we were talking to a woman, Barbara Kowalcyk, who had lost her son to eating a hamburger with E. coli, and she’s now dedicated her life to trying to make the food system safer. It’s the only way she can recover from the loss of her child. But when I asked her what she eats, she told me she couldn't tell me because she would be sued if she answered.

Or we see Carol possibly losing her chicken farm … or we see Moe, a seed cleaner who’s just being sued for amounts that there’s no way he can pay, even though he’s not guilty of anything.  Then we realized there’s something going on out there that supersedes foods. Our rights are being denied in ways that I had never imagined. And it was scary and shocking. And that was my biggest surprise.

So, what does our current industrialized food system say about our values as a nation?
Pollan:
It says we value cheap, fast and easy when it comes to food like so many other things, and we have lost any connection to where our food comes from.

Kenner: I met a cattle rancher and he said, you know, we used to be scared of the Soviet Union or we used to think we were so much better than the Soviet Union because we had many places to buy things.  And we had many choices.  We thought if we were ever taken over, we’d be dominated where we’d have to buy one thing from one company, and how that’s not the American way.  And he said you look around now, and there’s like one or two companies dominating everything in the food world. We’ve become what we were always terrified of.

And that just always haunted me – how could this happen in America?  It seems very un-American that we would be so dominated, and then so intimidated by the companies that are dominating this marketplace.

How has the revolving door relationship between giant food companies and Washington affected the food industry?
Pearlstein:
We discovered that the food industry has managed to shape a lot of laws in their favor.  For example, massive factory farms are not considered real factories, so they are exempt from emissions standards that other factories face.  A surprising degree of regulation is voluntary, not mandatory, which ends up favoring the industry. 

What have been the consequences for the American consumer?
Kenner:
Most American consumers think that we are being protected.  But that is not the case.  Right now the USDA does not have the authority to shut down a plant that is producing contaminated meat.  The FDA and the USDA have had their inspectors cut back.  And it’s for these companies now to self-police, and what we’ve found is, when there’s a financial interest involved, these companies would rather make the money and be sued than correct it.  Self-policing has really just been a miserable failure.  And I think that's been really quite harmful to the American consumer and to the American worker. 

Pearlstein: The food industry has succeeded in keeping some very important information about their products hidden from consumers.  It’s outrageous that genetically modified foods don’t need to be labeled.  Today more than 70% of processed foods in the supermarket are genetically modified and we have absolutely no way of knowing.  Whatever your position, you should have the right to make informed choices, and we don’t.  Now the FDA is contemplating whether or not to label meat and milk from cloned cows.  It seems very basic that consumers should have the right to know if they’re eating a cloned steak.

Is it possible to feed a nation of millions without this kind of industrialized processing?
Pollan:
Yes.  There are alternative ways of producing food that could improve Americans’ health.  Quality matters as much as quantity and yield is not the measure of a healthy food system.  Quantity improves a population’s health up to a point; after that, quality and diversity matters more.  And it’s wrong to assume that the industrialized food system is feeding everyone well or keeping the population healthy.  It’s failing on both counts.

There is a section of the film that reveals how illegal immigrants are the faceless workers that help to bring food to our tables.  Can you give us a profile of the average worker?
Schlosser:
The typical farm worker is a young, Latino male who does not speak English and earns about $10,000 a year.  The typical meatpacking worker has a similar background but earns about twice that amount.  A very large proportion of the nation’s farm workers and meatpackers are illegal immigrants.

Why are there so many Spanish-speaking workers?
Kenner:
The same thing that created obesity in this country, which is large productions of cheap corn, has put farmers out of work in foreign countries, whether it’s Mexico, Latin America or around the world.  And those farmers can no longer grow food and compete with the U.S.’ subsidized food.  So a lot of these farmers needed jobs and ended up coming into this country to work in our food production.

And they have been here for a number of years.  But what’s happened is that we’ve decided that it’s no longer in the best interests of this country to have them here.  But yet, these companies still need these people and they’re desperate, so they work out deals where they can have a few people arrested at a certain time so it doesn’t affect production. But it affects people’s lives.  And these people are being deported, put in jail and sent away, but yet, the companies can go on and it really doesn’t affect their assembly line.  And what happens is that they are replaced by other, desperate immigrant groups.

Could the American food industry exist without illegal immigrants?
Schlosser:
The food industry would not only survive, but it would have a much more stable workforce.  We would have much less rural poverty.  And the annual food bill of the typical American family would barely increase.  Doubling the hourly wage of every farm worker in this country might add $50 at most to a family’s annual food bill.

What are scientists doing to our food and is it about helping food companies’ bottom line or about feeding a growing population?
Schlosser:
Some scientists are trying to produce foods that are healthier, easier to grow, and better for the environment.  But most of the food scientists are trying to create things that will taste good and can be made cheaply without any regard to their social or environmental consequences.

I am not opposed to food science.  What matters is how that science is used … and for whose benefit.

Can a person eat a healthy diet from things they buy in the supermarket if they are not buying organic? If so, how?
Pollan:
Yes, the supermarkets still carry real food.  The key is to shop the perimeter of the store and stay out of the middle where most of the processed food lurks.

How are low-income families impacted at the supermarket?
Kenner:
Things are really stacked against low-income families in this country.  There is a definite desire of the food companies to sell more product to these people because they have less time, they’re working really hard and they have fewer hours in their day to cook.  And the fast food is very reasonably priced.  Coke is selling for less than water.  So when these things are happening, it’s easier for low-income families sometimes to just go in and have a quick meal if they don’t get home until 10 o’clock at night.  At the moment, our food is unfairly priced towards bad food.

And, in the same way that tobacco companies went after low-income people because they were heavy users, food companies are going after low-income people because they can market to them, they can make it look very appealing.

What can low-income families do to eat healthier?
Schlosser:
As much as possible, they can avoid cheap, processed foods and fast foods.  It’s possible to eat well and inexpensively.  But it takes more time and effort to do so, and that’s not easy when you’re working two jobs and trying to just to keep your head above water.  The sad thing is that these cheap foods are ultimately much more expensive when you factor in the costs of all the health problems that come later.

Pollan: It’s possible to eat healthy food on a budget but it takes a greater investment of time.  If you are willing to cook and plan ahead, you can eat local, sustainable food on a budget.

If someone wanted to get involved and help change the system, what would you suggest they do?
Pearlstein:
I hope people will want to be more engaged in the process of eating and shopping for food.  We have learned that there are a lot of different fronts to fight on this one, and people can see what most resonates with them.  Maybe it’s really just “voting with their forks” – eating less meat, buying different food, buying from companies they feel good about, going to farmers markets.

People can try to find a CSA – community supported agriculture – where you buy a share in a farm and get local food all year.  That really helps support farmers and you get fresh, seasonal food.  On the local political level, people can work on food access issues, like getting more markets into low income communities, getting better lunch programs in schools, trying to get sodas out of schools.  And on a national level, we’ve learned that reforming the Farm Bill would have a huge influence on our food system. It requires some education, but it is something we should care about.

What do you hope people take away from this film?
Schlosser:
I hope it opens their eyes.

Kenner: That things can change in this country. It changed against the big tobacco companies.  We have to influence the government and readjust these scales back into the interests of the consumer.  We did it before, and we can do it again.

Pollan: A deeper knowledge of where their food comes from and a sense of outrage over how their food is being produced and a sense of hope and possibility of the alternatives springing up around the country.  Food, Inc. is the most important and powerful film about our food system in a generation.

"Spinal Tap" Member, Harry Shearer, Blogs for "Unplugged & Unwigged"

51OYf1VI4jL._SL160_AA115_ Unwigged & Unplugged  is a newly released musical documentary featuring an evening with Christopher Guest, Michael McKean and Harry Shearer; the legendary musical and comedic trio performing music from heavy metal's loudest band Spinal Tap plus more. The DVD features two plus hours of songs from the original soundtrack This Is Spinal Tap (1984), the studio album Break Like The Wind (1992), and A Mighty Wind (2003) along with some special surprises and rarities thrown in. Check out Harry Shearer's blog post detailing gearing up for the tour....--Angela

UNWIGGED_Press-1

Perhaps the scariest day in the six-week rehearsal period for the "Unwigged" tour came when, after about a week of rehearsing the Tap and Folksmen songs which we knew would form the bulk of our show, we decided to play 'em straight through and time them.  As each song finished, one or another of us glanced at the stopwatch application on my laptop: 2:53, 3:12, 2:37...nothing even approaching four minutes. We played twenty songs and barely cracked an hour.  We laughed at the result. How the hell were we going to fill an evening, let alone a DVD

That's when we started thinking about the rest of the show--the comedy part.  The three of us--comedy people with a deep love of music--had been concentrating on the songs, particularly on the most interesting challenge of the project, the question neatly summed up in the faux bumper sticker (or bracelet): WWWD?  (What Would We Do?)  Mssrs   McKean, Guest and Shearer (sorry about the third person there) had become quite proficient at inhabiting the characters in these two distinct bands, and particularly at making the kinds of lyrical and  musical decisions those guys would have made.  Now we were faced with a brand new task: making the musical choices we'd make. We were covering our own tunes. 

The acoustic-instrument setting (I was cheating, playing an electric bass for the Tap stuff) dictated its own changes.  Even so, when we finally decided to add "Heavy Duty" to the lineup, we were capable of some quasi-Tap rocking. Other songs took some thought.  We were   initially skeptical of being able to replicate the pseudo-historical   bombast of "Stonehenge", until we realized there was no way we weren't going to do that song.  After toying with every other possible persona for the spoken passag
es, Christopher reverted to default Nigel.  Even though some of his other attempts (I seem to recall a couple of his classically bad impersonations of older actors) were Funny At The Time. 
UnwiggedPressPhotoB-1
Maybe the most dramatic musical alteration came to our most-covered Tap song, "Big Bottom".  Clearly, we weren't going to muck up the simple logistics of the show by hauling around extra basses for one song.  Simple logistics, after all, was one of the prime motivations for doing "Unwigged" during the 25th anniversary year of the Tap film,   rather than a full-on rock tour in the teeth of an economic meltdown. So, with my one (standup) bass, I proposed a kind of swingy solo version of the tune. Chris and Mike immediately started   scatty vocal parts, and then came up with the idea of guest dancers, and we had a definitively un-Tap version of "BB". 

Then came the question of comedy. We knew there were some little video treats we could lay our hands on--the original theatrical trailer for "Tap", cleverly disguised as a sad little documentary about a cheese-rolling festival in Denmark, the original appearance of Tap on "The TV Show", a short clip of my appearance in "The Robe". Then there were the fan-made videos of Tap songs, about which more appears on line if you Google Lego and Tap. 

Finally, Michael had squirreled away--he being our chief squirrel--a  copy of a memo from the NBC censor at the time, outlining how "Tap" could be, uh, adapted for late-night television viewing.  We decided on a reading of the memo, and, small world that it is, a month after the tour ended, I got an email from said censor (with the memorable name of Bill Clotworthy). He'd heard about his role in our show, and was sending his greetings, and a copy of a book he'd written about "Saturday Night Live", where he served as censor for a couple of decades. And, each night of the tour, we all discovered new things to say, and new things to leave out.  In that sense, there was an improvisational element to the show, as well. 

--Harry Shearer



Criterion Spotlight: Monterey Pop

The Complete Monterey Pop Festival The Criterion Collection has added the Monterey Pop Festival to its "series of important classic and contemporary films" with single and multiple disc editions now available on DVD and coming to Blu-ray later this month. If you want to relive the summer of love, or you missed out on the 3 day music festival that launched the careers of Jimi Hendrix, Janis Joplin, and Otis Redding; you won't want to miss this collection. D.A. Pennebaker's films captured the legendary performances of artists like Simon and Garfunkel, The Mamas and the Papas, The Who, and more. Jimi Hendrix burning his guitar has never been better thanks to the Criterion treatment. Lou Thayer, the original producer of the festival, discusses this monumental weekend in June:

It was the first major Rock ‘n’ Roll Festival. No prerequisite…no precedents. We had no idea what to expect. The question of would people come was answered by mid-week prior to the start of the festival. They came and kept on coming. A major surprise was the extent of mainstream media coverage. When John Phillips and I arrived at the fairgrounds on the morning of the first day there were camera crews, photographers and journalists from all over the world. Add to that the advent of FM radio; and the following year Rolling Stone Magazine…Rock ‘n’ Roll was here to stay. Monterey gave birth to the first rock charity Monterey International Pop Festival Foundation, which continues to fund worthwhile causes in the names of the artists who appeared at Monterey. Precedents and prerequisites would be set for future concerts and festivals, including the overall treatment of the artist…Derek Taylor’s handling of the press…Chip Monks’ sound and lights…Pennebaker’s groundbreaking movie “Monterey Pop. The true legacy of The Monterey International Pop Festival is not the crowd size…not the weather…not a violent incident…it is the music. The groundbreaking artists who were introduced (Janis Joplin, Jimi Hendrix, and The Who) and the “rock royalty” (Simon & Garfunkel, Otis Redding and The Mamas & The Papas) that performed there continue to be revered and continue to impact to this day the music and musicians who came after it happened in Monterey on June 16, 17, and 18, 1967.
--Amanda

 

Happy anniversary, Woodstock

In case you missed it in the news, today is the 40th anniversary of the first day of Woodstock, the famous New York rock festival that put hippies in the spotlight and made a certain rendition of "The Star-Spangled Banner" famous. To recognize the anniversary, Warner Home Video has rereleased the classic documentary in a 40th anniversary Ultimate Collector's Edition on Blu-ray and DVD. The editions you'll find exclusively at Amazon have additional never-before-seen performance footage from Grateful Dead, Jefferson Airplane, and Country Joe and the Fish as well as some extra featurettes. Watch the trailer, a clip about the restoration, and some performances below. or find more music, DVDs, and books in our Woodstock store. --David


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March 2010

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