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September 2012

"New Normal" Co-Creator on Comedy, and Pushing Limits

New NormalAli Adler, co-creator (with Ryan Murphy) of The New Normal, says it’s “just a show about a family.” But when the expectant parents are two dads, and their surrogate mom brings her always amazing daughter and frequently appalling grandmother into the mix, things get complicated (and controversial).

The new NBC series stars Andrew Rannells (The Book of Mormon) and Justin Bartha (The Hangover) as the parents-to-be. Ellen Barkin plays the jaw-droppingly prejudiced Nana to Georgia King’s open-minded and fresh-start-seeking single mom — and her Archie Bunker-meets-Sue Sylvester-verbal onslaught isn’t going to end anytime soon. Tonight (the show airs at Tuesday nights at 9:30), for example, “you’ll see another side of Jane, but she’ll never become that cuddly Nana,” Adler said.

Adler recently spoke with reporters about the show. Here are some excerpts from the conversation:

Hollywonk: What do you do to avoid self-censorship? I’m sure there are others who are willing to tell you when they think you’ve gone too far, but how do you avoid doing that for yourself?

Ali Adler: Well, I think that’s the trick. This is a lofty analogy — but a chef has to taste his own food and enjoy it. And we hope that many other people enjoy it as well. But if we start second guessing ingredients then, you know, you have to please yourself first.

And I think we are across-the-board, equal-opportunity offenders and if we are overly sensitive to one group and not another, that to me is actually true racism, or homophobia, or gender blindness, or whatever. So like if we’re cutting across the board equally and we are representing, you know, Jane’s political beliefs, and we’re representing Bryan and David’s political beliefs, it’s just we’re trying to present all these without true bias.

Hollywonk: Characters in The New Normal talk to the camera sometimes, which seems more and more like an accepted shorthand in comedies. Do you feel like that needs to be “explained,” like with the actual documentary crew on The Office? Or do you feel like the TV audience just sort of accepts that this happens sometimes?

Adler: I just think we’re giving people, you know, comedic privilege into a voice that you wouldn’t normally notice or see. And you’ll see in upcoming episodes that it’s, you know, its strangers, its friends of our couple. And you’ll just get their internal point of view that you wouldn’t normally get to be privileged to hear. So it just provides a new way to explore comedy. …

I think we’re finding ways, with The New Normal, to express story quickly. You know, it’s 21 and a half minutes of fictional story to tell. So in ways, like in the pilot, we saw these two camera interviews. Or the voice over to the baby. Or flashbacks. We’re finding different little candies that we like to put into the show to show quickly, and with great emotion, emphasis to our point.

— Stephanie Reid-Simons

2012 Emmys - Just a couple opinions

Emmys

There is some really great television out there right now. The drama category is rich with content and there are some original and quirky comedies that are allowing truly funny people to strut there stuff. But....I'm not sure the Emmys are really hilighting those things. Even still, great TV and you should probably check out all the nominees and winners here.

Where's the Parks?

Yes, Modern Family is funny. I get it. But watching it towards the end of last season it felt as if it was already becoming stale. Go ahead, boo now if you wish but there's just better work being done. The omission of Parks and Recreation is just wrong. Again, no problem with Eric Stonestreet or Julie Bowen being recognized, they are both great. However, the total ensemble on Parks is unmatched on TV today.

 

Homecoming

OK, I guess the point is to celebrate the excellence and apparently we are to understand that Homeland is the best show on tv. Up for debate of course but congratulations to Damien Lewis. Whether you would have voted for the show or not you can't deny the difficulty of his performance. And Claire Danes, how do you not like Claire Danes? The answer is, you don't not like Claire Danes. I do have to say once again though..where the hell is Sons of Anarchy? I guess I'm in the minority but I think FX tends to get a bit overlooked.

AaronpaulMeth Wins!

With all the false modesty and self congratulations that comes with award shows it's nice to see some real surprise. I think the photo of Aaron Paul kind of sums it up. This was one of the best moments of the night with a guy who you can tell is truly shocked. He's just out of his mind that he's a part of this and it's great to see. I mean look at that face and the embrace with Giancarlo Esposito was just genuine, very cool. Although it does break my heart a bit to not see Peter Dinklage receive another award for his work on Game of Thrones, I can't disagree with the fervor that Breaking Bad has garnered. 

 

JuliaReturn of the 90's

NIneties superstars Julia Louis-Dreyfus and Kevin Costner back...in...da...house! Nice. Makes me want to listen to some Gin Blossoms or Faith No More. Did you ever think that of the cast of Seinfeld that Elaine would have the most succesful career post show? You did? Liar.And so good to see Costner doing something that receives critical acclaim in this century. OK, I'll give you The Company Men, great movie but not really a Costner vehicle. I'm more concerned with the list of flops prior to that, Swing Vote anyone? Didn't think so.Well done from one of the elder statesmen of Hollywood.

Nic3Show idea. Cage Match. Nicolas Cage enters a ring with another actor. They do readings of famous scripts to a celebrity panel of acting judges. The judges vote on who delivers the best audition. Nicolas Cage wins every week. We celebrate his greatness. The end.

 

--Adam

 

 

 

 

Nicholas Stoller, A Brief Note of Appreciation

5yearI suppose that the title of this blog entry would make for a good film title too but the intent is to give an armchair shout out to writer/director Nicholas Stoller. I felt compelled to do this after recently watching The Five-Year Engagment. This is not intended to be a deep, intensive, critical analysis of a dealing with life's issues comedy. It's just a note of thanks to the writer/director of a film of which after I watched it....I just felt good.
The dialogue and situations keep you laughing consistently throughout. The chemistry between Jason Segel and Emily Blunt is fantastic, not in a "oh wow, I bet they're hookin' up on set" kind of way, instead it spotlights a couple actors who show incredible comedic timing and sensibility. You will fall in love with Emily Blunt as I do every time I watch her on screen. Someone that beautiful shouldn't be that talented. The entire cast does justice to the fantasic comedic wrting of Stoller and Segel. Alison Brie is equally fantastic and what I will refer to as the "Sesame Street" scene with Brie and Blunt is gold.

 

For those unfamiliar with Nicholas Stoller, he previously directed Forgetting Sarah Marshall and Get Him to the Greek, also personal favorites. So, clearly there is a trend here. He also collaborated with Segel on The Muppets. Again, awesome. Do yourself a favor and watch his work. Finally, Mr. Stoller, thank you for the laughs. In a cinematic landscape flushed with bad book adaptations and hit or miss superhero movies or just crappy horror shot with a shaky handed digital camera, it's nice to watch a movie where you laught from beginning to end and just simply makes you feel good.

--Adam

Armchair Commentary™ Contributors

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