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August 2012

Exclusive Interview with The Dictator

Dictator

We here at Armchair Commentary are extremely pleased to bring to you, the faithful reader, an exclusive interview with "The Dictator" himself, Admiral General Aladeen. Fresh off his tour of promoting the movie about himself and eagerly anticipating the DVD and Blu-ray release, the exulted one took the time out to answer a few questions.

DISCLAIMER: The views and opinions of Admiral General Aladeen are his alone and do not reflect the views or opinions of anyone associated with Armchair Commentary, any other blog or any sane person anywhere in this world or another alternate universe either real or created solely for the purpose of a science fiction story.

 

 

 

General Aladeen, clearly you are in favor of a complete dictatorship as a political ethos but if you had to choose a second option, what would it be and why?

Firstly, please use my correct title – it’s actually Admiral General Aladeen. In fact my full title is Admiral General Aladeen, Supreme Leader, Chief Ophthalmologist, Invincible and all Triumphant Beloved Oppressor of the People of Wadiya and Excellent Swimmer (Including butterfly). I also have 118 PhDs. And a diploma in spray tanning from Qatar Community College. And I am 7 ½ feet tall. Sorry, what was the question? Ah yes, a second option other than a full dictatorship... I think democracy, but with a few provisos: one, there would be elections, but only every 500 years, two, I would be the only person who could vote, and three, my name would be the only one on the ballot paper. The last one makes a lot of sense – it would completely eliminate the chance of electoral fraud.

 

Other than “The Dictator” itself, what was your favorite movie of the past year? And secondly, what is your favorite movie of all time?

Apart from The Dictator, my favorite movie of last year was that clip on YouTube of the talking dog being teased by his owner about food in the refrigerator... I love that film! My favourite film of all time would either be one of the great fantasy movies, like Lord of the Rings or Schindler’s List, or the grainy Super 8 footage taken of JFK in Dallas in 1963.

 

Beatles or Stones?

That’s a tough one – I have tortured people using both of them: feeding prisoners beetles is probably more enjoyable than covering them with stones, although occasionally you get someone who actually likes the taste and that ruins it.

 

What are your ideas for how we should deal with the continuing global climate change crisis in both the short and long term?

I have personally done my bit to reduce global warming by building a personal ski resort in the Wadiyan desert - not easy, as the average daily temperature is 118 degrees. It uses 20 billion bottles of Fiji Water per day to make the snow. That is not the only way my country has gone green - all our torture implements are now solar powered and we don't just dispose of western journalists, we recycle them – in fact for every one I behead, I plant a new one in the ground. Alive. Also I’m very diligent about trying to reduce my uranium footprint.

 

Who is your favorite Muppet and why?

I like the one who has no eyes – he inspired me to perform a similar procedure on some of my political opponents. And of course I love the fat talking pig, simply because the thought of her is so repugnant to the my enemies.

 

What was your relationship like with your mother and father?

I never knew my mother. She was an Air France Flight Attendant who tragically died in childbirth – of strangulation. My father also left me early and died when I was just six. He was a very loving parent though and I have very fond memories of the short time we spent together – I recall just after my fifth birthday playing Lego with him: together we built a full sized gallows with it and then he let me watch as his Prime Minister was hanged.

 

Just what was your father hunting on that tragic day he was killed?

My father was hunting traditional Wadiyan wildlife – you know, jackals, camels and Kurdish rebels. Although officially his death was accidental and he died after being hit by 97 stray bullets and a stray grenade, there are rumors that he actually committed suicide. I personally hope that this was the case, as it would mean he died doing what he loved the most – killing people.

 

With the Olympics having just passed, it’s natural to wonder when the great competitors of the Wadiyan Spring Games will compete in the Olympic Games. When will that happen?

Firstly, I must say that it is an outrage that Wadiya was banned from the London Olympics and I do not know if we will be welcome at Rio. Even though our athletes did not attend this year, I still sent some “representatives”. I cannot say what they will be doing in Britain, but let’s just say that the biggest fireworks display in London this year will not be the one at the Opening Ceremony.

The ban is also a personal tragedy for me since I am my country’s number one athlete and fastest runner. In the recent Wadiyan Games I won the 100Meters Gold after my closest rival retired in the Semi Finals suffering from a badly ruptured uncle. Of all my sporting acheivments though, I would have to say that my proudest is probably the threesome I had with the Williams sisters.

 

Podcast Exclusive: Jane Espenson and Brad Bell Talk "Husbands," and Their Online Journey to Sitcom Success

The idea was born over a series of dinners: Jane Espenson, Hugo-award-winning writer for Buffy the Vampire Slayer, fell in love with her friend Brad Bell’s idea for a show about a fabulous actor (played by Bell), his gal pal (Alessandra Torresani, Caprica) and his boozily accidental wedding.

HusbandsThere’s a twist here, and it’s that the groom (aka Cheeks) didn’t marry the gal — he married another groom (Sean Hemeon, As the World Turns), a nervous and newly out ballplayer. The show’s name: Husbands. It’s a classic sitcom setup, opposites in love. But instead of on a network, it’s on the internet — at lovehusbands.com. Espenson and Bell created it together, and Espenson (currently a consulting producer of Once Upon a Time) funded the first season from her own pocket.

In Season 1 (11 episodes of about two minutes each) the grooms wake up married in Vegas and decide to make it work. Season 2, which debuted this week, picks up with the newlyweds living in their new home and dealing with the public fallout of their union. It will unfold over the course of three episodes of about eight minutes each, with behind-the-scenes specials for each one. Fans paid for the second season via Kickstarter, raising $50,000 in a week.

The second season also ups the ante on guest stars, with a virtual who’s who of the Whedonverse – including Joss himself, who appears in all three episodes. You’ll also see Amber Benson and Emma Caulfield (Buffy), and Dichen Lachman (Dollhouse). Plus Tricia Helfer (Battlestar Galactica) and Sasha Roiz (Caprica).

Espenson and Bell spoke with Amazon Studios about Husbands, creative freedom and working with Joss Whedon, actor. 

Some highlights:

On distributing the show online:
Espenson: We thought, oh, we’ll show that there is an audience out there, and then we can take it to the big stage. And then we realized, “There’s no bigger stage than this.”
Bell: What stage is bigger than the internet?
 

On working with Joss Whedon, the actor (he plays an agent in all three episodes):
Bell: He liked it so much, we were like “You want to be in it?”
Espenson: We had written a part and we were talking about other people.
Bell: Then we went back and tailored it once we knew it would be Joss. … We were very particular about the agent’s voice because we wanted a character who in classic agent fashion says “look, this is the situation and basically explains how things are dire and horrible” and you suddenly realize how dire and horrible it is and they say, “Whoa, why are things so dire and horrible all of a sudden?”    It was fun to give Joss that sort of voice of contradiction.
Espenson: There are a couple of moments where it takes some real acting finesse to make these turns, and he landed it, every time.

See more exclusive interviews at the Amazon Studios Hollywonk blog.

Guest Post: “Seed” Author Ania Ahlborn on Horror Movies That Inspire

“Muses come in different shapes and sizes, mine just happens to look
like a blood-drenched Sissy Spacek.”

— Ania Ahlborn, author of the chilling new horror novel, Seed

Ania AhlbornClassic horror: there’s something magical about it; something raw and unforgiving that taps into our deepest, most primal fears. As an author, people ask me what inspires me. I’m expected to throw out complicated answers: Shakespeare’s soliloquies; Hemingway’s drunken banter; unpublished Russian manuscripts — the more underground the better. When I reply with “movies,” eyebrows arch above surprised expressions. But it’s undeniable — I have a love affair with moving pictures, especially the ones that make my skin crawl.

 As a lover of horror, I can appreciate almost any attempt at the genre. Granted, I don’t have much of a stomach for stuff like Saw and Hostel, but I understand why it makes the audience react the way it does. And yet, after a barrage of found footage flicks, I find myself pining for the days of old.

I spent my youth watching horror movies when the adults weren’t around, terrorizing myself with classic B-grades like Troll and Dolls—the latter of which gave me a childhood phobia of sleeping in rooms with those creepy, glass-eyed, porcelain faces. But the movie I remember watching most vividly is The Exorcist; sitting on the couch in a pitch black room, clinging a decorative pillow to my chest, my eyes wide as saucers while Reagan MacNeil thrashed in her bed. I was horrified, but it was the type of terror that refused to let me look away. I’m not exaggerating when I say that I didn’t get a proper night’s sleep for at least six months after that viewing. The horror of that movie dug deep into my soul. It infected me like a disease. No movie has affected me like that since.

That isn’t to say I’ll let a television sit on snow in a dark room for longer than a second. No way. There are people in the TV, Poltergeist told me so; just like The Omen taught me that being born bad can really happen and The Texas Chainsaw Massacre convinced me that the worst people live in the most remote places. And then there was The Shining, offering up the terrifying notion that a trusted family member can turn into a monster. These are the concepts that seeped into my subconscious, the very things that turned my thoughts weird and dark. Reagan MacNeil and Damien Thorn were the wicked little muses that scratched the inside of my skull for years, insisting that I had a tiny monster of my own to unleash upon the world. Jack Torrance assured me that there’s a switch in us all, and once it’s flipped, even a family man can turn into an axe murderer. Leatherface sparked my adoration for towns so rural they make the blood run cold.

Readers flatter me. They’ve compared Seed to the likes of classic Stephen King. Whether that’s accurate or not isn’t my call, but the comparison definitely gives me a thrill; and it’s not because my name and King’s are being brought up in the same sentence (though let me tell you, that blows my mind every time), but because my writing is being compared to the horror of old, the horror that was genuinely scary. That’s the horror I grew up on. It’s the stuff that twisted my mind and made my poor mother wonder how she’d raised such an odd, dark-minded girl. Muses come in different shapes and sizes, mine just happens to look like a blood-drenched Sissy Spacek.

When people ask me where I got my inspiration for Seed, I tell them that I’ve always been haunted by the concept of demonic possession. But my thanks will forever rest with the directors, actors, and cinematographers of classic horror fare. Because those are the people who put darkness in my head, those are the people who filled my brain with terrible concepts yet simultaneously entertained me. That’s why, when I see a preview for a movie that looks genuinely scary, I cover my mouth and laugh… because it’s like seeing an old friend. That’s why, when I write a book, I try to write it the way a movie would play out on screen. It’s what I love. It’s what twists me into a monster when presented with a blank page.

And I am a monster. We all are. It just takes a flip of a switch. A series of scenes. Or the flip of the page.

— Ania Ahlborn

Learn more about Ania Ahlborn. Amazon Studios is giving filmmakers a chance to create the official book trailer for her book, Seed, and win $3,000.


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