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September 2009

Our Interview with the Man in the Yellow Hat

It’s not even Halloween yet, but it’s already shaping up to be a curious holiday season. Curious George is back with a new DVD, Curious George: A Very Monkey Christmas, and we caught up with George’s friend and roommate, the Man in the Yellow Hat, to find out all about the new movie, what it’s like living with a primate, and perhaps most importantly: Why yellow? Listen below, or in our Curious George Store.



Jennifer Aniston & Steve Zahn Answer Our Questions

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The "keeper" romantic comedy, Management, starring Jennifer Aniston as an uptight sales rep and Steve Zahn as the motel night manager who falls for her, is now available on DVD and Blu-ray. We had the chance to ask Aniston and Zahn about the movie, each other, and...motels:

Amazon: You play the ‘straight & narrow’ character to Steve Zahn’s funny man. What is it like acting in a comedy where you have to play the more serious role?

Jennifer: The role of Sue is sort of awkward and it felt very human. I just loved it. When you read romantic comedy after romantic comedy, and then you get to read one where the characters are so unique and oddly flawed and broken, that's beautiful. I signed on to the project immediately.

Amazon: Was it hard to keep a straight face when acting opposite Steve and Woody?

Jennifer: What do you think? It was impossible! Steve can just give me a look and I’ll lose it. Pretty much everything he does makes me laugh. I think part of it is because he’s so accessible and open. And Woody and I started cracking up before we even got to the set when we were reading the script to each other on the phone. Laughing while the cameras are rolling on the set is fun, but you're not supposed to do it. That only makes it harder not to laugh, of course!

Amazon: Rumor is that you helped convince Woody to agree to be in the film. Is this true and if so how did you do it?

Jennifer: That is one rumor about me that’s 100% true! Woody was the directors first choice to play Sue’s husband in the film but he passed on the project because he didn’t like the character. So (director) Stephen rewrote the script and asked me to get Woody on the phone. I actually made a long-distance call and read parts of the script to Woody until he was convinced. I’m so glad he signed on – we had a blast working together.

Amazon: Both you and Steve starred in “The Object of My Affection” over 10 years ago, with just a few scenes together, and he also guested on “Friends.” Do you have any memories of Steve from back then?

Jennifer: Steve and I have known each other since the second season of Friends when he played Phoebe’s husband. So I knew who he was but when we did Object of My Affection, I got to know him better. We just had a ball. Steve and (costar) Paul Rudd became like Frick and Frack during that shoot. They actually had T-shirts made that said ''Double Trouble.'' So I knew he would be lots of fun on the set of Management.

Amazon: What did the worst motel you’ve ever stayed in look like?

Jennifer Aniston

Jennifer: There have been a few sketchy motels in my life, that’s for sure. But one that stands out was in a tiny little town in the Midwest somewhere. It wasn’t so much the accommodations, but the ice machine was right outside of my room. There must have been a convention of ice lovers in town because every 30 minutes or so, that machine would go off. The soothing sounds of ice hitting a plastic bucket isn’t really conducive to sleep. So now, no matter what the hotel looks like, I make sure my room is not near any sort of refreshment area!

Amazon: “Friends” was taped in front of a live audience, so you had that energy. Is doing comedy on film harder than drama on film, or are you still more comfortable with comedy?

Jennifer: I’m not sure how to answer that one. Life can be dramatic and funny all in the same day just like the material for a film. So I have to work from right inside. When I step into a role, I don’t think “Oh, I’m going to exclusively use my comedy persona for this job.” That label kind of goes out the door and I concentrate on being true to the character. I think Steve and I were both able to achieve that for this film.

Amazon: We like to ask actors what they consider their most essential film, whether it’s the one they’re most proud of or the most meaningful personally. What would you say is a Jennifer Aniston essential film?

Jennifer:You know, I’m not reluctant to name one film but I honestly have to say that each project I’ve done is meaningful in its own way. If I’m an actress, a producer or even a voice, I would hope that I’ve brought something fresh to the project and been true to writers vision. That being said, I think Management is just fabulous [laughs]. But I really do.

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A: How was it working with first-time director Stephen Belber?

Jennifer: Stephen was very honest about what he was on this shoot – a first-time director. It was refreshing, as opposed to having somebody come in and try to over compensate. He asked Steve and I to rehearse together a week before shooting so it felt more like the theater projects Stephen usually works with. We were able to go through the scenes chronologically, which film actors don’t usually have the luxury of doing. I am a huge fan of Stephen’s. He has amazing instincts.

Amazon: It’s been mentioned that the entire cast/crew stayed in the same no-frills hotel while filming. What was that like?

Jennifer: We stayed in a hotel in Madras Oregon – in central Oregon. I dare you to find that on a map! It was newly built but definitely no frills. Like, there was a microwave, but you couldn’t fit anything into it! Everything in the room seemed to be miniature! But because the cast and crew all stayed together, we had a fantastic time. We ate at the local restaurants and we went to a nearby bowling alley. The people of Madras were extraordinarily open and sweet which made for a really unique experience.

Amazon: What is currently in your DVD player or what are you watching right now?

Jennifer: I have to say that I am a huge fan of “Mad Men” and have watched it religiously since the first season. So I never miss an opportunity to see an episode. I just love that whole 1960 New York City era.

Amazon: Have you ever done anything really loony for love?

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Steve: Yeah, if you think a chicken costume is loony. I think I was in college and I hitchhiked down to Rochester, Minnesota -- my girlfriend's town -- in a chicken suit for no apparent reason. But it worked. That's kind of similar to my character Mike. [laughs] I figured if I was hitchhiking, no one would pick me up. But maybe they wouldn’t think a person in a chicken suit was going to kill them so I’d get lucky and catch a ride. I didn't have a car, but I just had to get there because I loved her. She was thrilled to see me but it was more about the journey than it was showing up. It served two purposes.

Amazon: Have you been in a situation where you thought you had a ‘special moment’ with someone to find out in fact that they didn’t feel the same?

Steve: I have had that situation when I auditioned for a part. I thought the director and I had a special moment but then I wasn’t hired. Actually, that’s happened a lot. It’s almost as bad as being rejected by a girl, for me. But I’m pretty sure everyone, even the most beautiful or hot or whatever people have had that “I don’t feel the same” experience. I know I have but I’m not going to go into detail. I wouldn’t want to ruin my image as a leading man who always gets the ladies, ya know?

Amazon: You and Jennifer Aniston starred in “The Object of My Affection” over 10 years ago, with just a few scenes together, and you also guested on “Friends.” Do you have any memories of Jennifer from back then?

Steve: Yeah, I played Phoebe’s husband in exactly one episode. It was terrifying – I had never done any TV and there was a group of actors who were best friends for real. I had to pretend I was a part of that world. So we knew each other enough to say “Hi”. Then we did “The Object of My Affecti

on.” We didn’t have a lot of scenes together, but we hung out in the trailer and stuff. She remembered me from those three days when we did that movie. She’s that kind of person. If you had a conversation with her, three years from now she’d remember. It wasn't until this movie — this was what we were meant to do together. Jen and I had, it sounds stupid, but a true connection. We both knew it was going to work. We just felt it. I found her to be wonderful on so many levels. She's prepared and so giving and flexible and funny. We really worked well together and I think it comes through in the film.

Amazon: What did the worst motel you’ve ever stayed in look like? The worst motel?

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Steve: I’d have to think about that because I’ve stayed in some flea bag places. But the worst thing for me is when you don’t have a motel to stay at. I’ve done that before – had to sleep under the stars and stuff and not with any kind of camping gear. So even the grossest motel is better than that. We were lucky for this shoot because we all stayed together in the motel where the film was shot – it wasn’t luxurious or anything but spending so much time together as cast and crew made the experience special.

Amazon: We like to ask actors what they consider their most essential film, whether it’s the one they’re most proud of or the most meaningful personally. What would you say is a Steve Zahn essential film?

Steve: I’m not sure if there’s any “essential” Steve Zahn film! [laughs] But one of the films that pops up that fans like to talk about is Suburbia that I did in ‘96. It’s a cool movie directed by Richard Linkletter. And I did the whole project experience because Eric Bogosian wrote it so I workshopped it with him then did the play in New York then did the film. And someone just told me that you can’t get it on DVD. So I’ll have to look into that because it’s one of my favorites.

Amazon: How was it working with first-time director Stephen Belber?

Steve: Stephen was great – he was also the writer and Mike [the character] was just so well written it was one of the ridiculous moments where I said something like, "You'd be a fool not to hire me," which never works, except in this case, it did. [laughs] We even had a full week of rehearsals with us just sitting around a table reading the lines. It’s crazy that there’s no rehearsals in movies usually. But this one, we had a week where we sat all day: Jennifer, me and Steve [director Stephen Belber]. We primarily just sat and everybody else in the cast came in to rehearse. And man, did that work. By the time we finished rehearsal, I think all of us were very excited. Steve was just an amazing director—especially considering that it was his first time directing. He’s a pro.

Amazon: It’s been mentioned that the entire cast/crew stayed in the same no-frills hotel while filming. What was that like?

Steve: Like I said, this shoot was different because of the actual physical closeness of staying and working in the same place. We’d work all day then we go to a local restaurant and have dinner and a beer or whatever. We even went bowling one time. It was a pretty unique situation. Of course, it might not have worked with a different group of folks so I’m not sure I would recommend it for every project. Yeah, thinking back it would not have worked with a lot of my films.

Amazon: What is currently in your DVD player or what are you watching right now?

Steve: Oh man – what am I watching? You know I live on a farm in Lexington Kentucky, right? I have to say, I don’t have much time right now to kick back. I’m spending a lot of hours on a tractor. And when the goats and horses don’t need my attention, I have a 9-year-old son and a 7 year-old-daughter to spend time with. I wish I could tell you but I’m coming up blank. Of course, I highly recommend putting in the “Management” DVD. [laughs]

Watch the trailer below and don't forget to check out Management, now available on DVD and Blu-ray. Don't want to wait? Watch it now. --Amanda

"The Wizard of Oz" turns 70

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Not just the sequel to Wicked, the beloved family film The Wizard of Oz turns 70 this year and is being released today in Ultimate Collector's Edition Blu-ray and DVD packages.  I haven't seen the Blu-ray edition yet, but I took a spin through the standard-definition DVD set and was impressed.  It has all of the material from the 2005 three-disc edition (the sharp 2005 restoration using Warner's Ultra Resolution process, commentary track by critic John Fricke, profiles of nine cast members, additional behind-the-scenes material, vintage silent films based on the Oz books) plus a new sing-along track, a 34-minute documentary on the director of The Wizard of Oz (and many other films), Victor Fleming: Master Craftsman; "Hollywood Celebrates Its Biggest Little Stars," a featurette on how the Munchkins got their star on Hollywood's Walk of Fame in 2007; The Dreamer of Oz, a 1990 television movie dramatizing the life of author L. Frank Baum, played by John Ritter, and also featuring Annette O'Toole and Rue McClanahan (poor picture quality might have relegated it to the bonus material instead of being released on its own); and a 51-minute silent film from 1951, The Patchwork Girl of Oz. A fifth disc has a Digital Copy of the film (compatible with iTunes and Windows Media; download code expires 9/22/10). The limited-edition (243,000 numbered editions) packaging is very attractive, though a bit awkward for shelf space (it's taller than a normal DVD), and the Amazon-exclusive edition includes four 8x10 character mini-posters. The large box opens to reveal a 52-page book Behind the Curtain of Production 1060 with cast bios and production notes and photos, a copy of the film's budget, a 70th-anniversary watch, and a replica campaign booklet that was intended to hype the film's release to theater owners. It's a fascinating time capsule of advance publicity for a film that is still being watched and discussed 70 years later. Below you can watch a clip of the packaging as well as an Amazon exclusive: Ray Bolger and Judy Garland in a recently discovered audiorecording of "If I Only Had a Brain," which was replaced by a peppier version for the film.  You can't hear this in the Ultimate Collector's Edition--only here. --David



Trailer Park: "Surrogates"

The premise of the sci-fi thriller Surrogates is that you can safely live different lives through robotic duplicates of yourself. It stars Bruce Willis and opens in theaters tomorrow. (Through October 16, you can get Hollywood Movie Money to see Surrogates with the purchase of select DVDs.) --David


Have You Seen This Fall's Most Shocking Show?

Katey Sagal in Sons of Anarchy

So far, so good with this fall's returning shows. The Office opened with an episode built around staple of cube life: gossip. Heroes has our hopes up yet again. Fringe raises the stakes on its trippy, beyond X-Files reality. House took our grumpy doc out of the closest thing he had to a comfort zone and put him in a psychiatric hospital -- as a patient. This week's two-part premiere -- you can watch it now here -- showed us what happened to Dr. House there (without wanting to give away too much, I'll just say that kicking Vicodin was the least of it). Despite a convenient turn at the end, did manage some surprises -- and had some of the best guest stars I've seen so far this fall: Andre Braugher and Franka Potente.

But while House managed to paint with some new colors (impressive for a show in its sixth season), only one show delivered utter jaw-dropping shock with its return: Sons of Anarchy, which airs on FX. Sons is a biker show, the same way that The Sopranos was a mobster show and Mad Men is a show about advertising. All those things are true, but they don't tell you everything you need to know. Not even close. Sons has Hamlet DNA, with Charlie Hunnam as Jax, the beautiful prince on a Harley whose mother Gemma (Katey Sagal) married his late father's friend (Ron Perlman), Clay. Clay leads the gang, with Jax as his second and Gemma as its wolverine center. Jax's dad, and his ideas about the gang, haunt the proceedings like a ghost. Season one established this universe as a brutal place full of death and conflict, where rival gangs and the ATF are closing in, and fighting them off comes at great cost, close to home.

Season two introduces a new threat (white supremacists, creepily embodied by Adam Arkin and Henry Rollins). And it has moments of dark humor (Tom Arnold as a porn king; a character's promise not to "Adriana" someone, aka kill her.) But this current season will be defined by a brutal assault that occurs in the closing minutes of its first episode. I won't reveal much, but stop reading if you don't want to know who's attacked. (It's Gemma.) The scene is as hard to watch an anything I've ever seen on TV, because Sagal makes it feel so painfully real. Sons was created by writer/actor Kurt Sutter (The Shield). Some may be shocked that someone could create a show like this, make their wife the star, and put her character through such a raw kind of hell. But as an actress, I can only imagine what a gift that must be, especially if you were previously best known as Peg Bundy from Married With Children. She can sing, too. That's her singing a mournful "Ruby Tuesday" at the start of episode two. Watch this show! You may be shocked, but you won't be sorry. -- Stephanie Reid-Simons, Amazon Video On Demand (Twitter: amazonvideo and Facebook: Amazon Video On Demand)

Last House on the Left - A Bonus Horror Spotlight

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As an extra little bonus for the month of September, the fine folks at Bloody-Disgusting have agreed to take a look at the recent horror remake Last House on the Left. The movie has generated significant buzz this summer -- the original is a cult favorite, and some are calling this "One of the best horror remakes ever made" (Scott Weinberg, Fearnet.com). Below, Tim Anderson conveys his thoughts on the film. Read on, and be sure to pick up your copy on DVD or Blu-ray, or watch it here on Video On Demand. --Tim

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In Hollywood's never-ending quest to strip mine its back catalog of "name recognition" films for the new millennium popcorn gallery, I'm never terribly shocked to see yet another past success get greenlit for the old remake wagon.  But, when I heard that legendary director Wes Craven's (A Nightmare on Elm St.) grindhouse cult classic Last House on the Left was coming up for replication, I had to--in much the same way as the original films marketing--keep reminding myself that "it's only a movie".

Truth be told, the 2009 incarnation of Last House on the Left is really just another in a long series of productions of this tale.  The first cinematic manifestation came to us in 1960 courtesy of Swedish master Ingmar Bergman's Oscar winning feature The Virgin Spring.   But even that wasn't the beginning.  Bergman based his film on the original fable--of the tragedy that befalls a beautiful girl in the woods and the subsequent revenge taken upon the brutes who raped her and left her for dead, by the girls parents--on a 13th century Swedish ballad.  Craven and Producer Sean Cunningham (Friday the 13th) remade Bergman's film in 1972 ramping up the violence and nihilism as a metaphor for the lost innocence of the 60's.   Even just a few years ago Director David DeFalco attempted his own homage to the story with his production Chaos.  

So, after several versions the question really becomes could filmmaker Dennis Illiadis bring anything new to the table.  Well....that answer is decidedly mixed, but the result is nonetheless impressive.  By all accounts, Last House of the Left is an intense and impressive film marking one of the better remakes of the last few years and a likely contender to be amongst the top 10 best horror films of 2009.

In keeping with the original tale, the film follows the tragic rape of Mari Collingwood (Sara Paxton).  Shot and left for dead, the killers led by Krug (Deadwood's Garrett Dillahunt), wind up taking refuge for the night at the home of Mari's parents (played by Tony Goldwyn & Monica Potter).   When a bloody and beaten Mari makes her way back home, the parents piece together that the killers are only a few feet away sleeping off the storm in the guest house.  From that point, it's all out war as Goldwyn and Potter exact bloody revenge on those who tried to murder their only daughter.

Last House on the Left is a morality tale that asks the simple question what would you do if your entire life was sent spinning off its axis.  How far would you go to protect the ones you love and would that make you as evil as those that tried to take your family away from you?  

The beauty of this film--like it predecessors, and right up to a minute before the wildly inappropriate final scene--is that it never answers that question.  It revels in ambiguity.   It doesn't ask you to identify with the parents and it doesn't ask you to empathize with the killers.  It has redeeming and not so redeeming moments a plenty.  It would be a stretch to say--with a money-grab 2009 remake--that the studio was aiming for moral ambiguity.  But the fact of the matter is the filmmakers more or less delivered it with the same respect as Craven and Bergman did.  And by keeping that level of disconnect intact, I think the film not only succeeds as an intense thriller but also as an interesting social commentary.  When was the last time you could say that about a nasty bloody and visceral horror film?  

The DVD and Blu-ray arrives with a gorgeous transfer and a stellar 5.1 surround mix.  Pay attention people because this is a film that is dark, and rain soaked -- taking place in the silhouettes and moonlight, bathed in blankets of foggy atmosphere.  It's a nightmare world of shadows and the Blu-ray transfer envelops the screen in that inky blackness dragging the viewer kicking and screaming into the netherworld.   To further expand on the film's viewing experience the DVD and Blu-ray both contain a collection of deleted scenes, totaling just under 9 minutes of excised footage--including extended moments in the store with Paxton and co-star Martha MacIsaac and a different take of the films tonally bizarre final shot.   The disc is rounded out with a two and a half minute EPK style collection of interviews with the main cast and crew about the making of the film.

In a day when we are inundated with a nonstop barrage of remakes and reimaginings that are uninspired at best and insipid at worst, it's quite a coup that a group of filmmakers would consider taking on a film that most people would admit to seeing but very few would admit to loving, and giving that film--warts and all--a reverent (to a point) remake that doesn't really pull any punches in the pain department.  It's hard to say that one version is better than, or more tasteful than, any other when the main subject of your film is rape/revenge.  But with that said, the original is considered to be one the kings of the 1970's exploitation film craze.  The remake however hardly ever feels exploitative and for that, and its daring ability to keep the crux of the story intact, I would call it a rousing success.

-Tim Anderson, Bloody-Disgusting.com

"Streets of Blood" - 50 Cent Q&A

50_headshot Curtis "50 Cent" Jackson may be best known as a rap/hip-hop artist with 11 Grammy nominations to his name, but his talent has spread beyond that to video games, books, clothing and movies. His acting talents are showcased in his latest movie - the cop/crime drama Streets of Blood. Starring alongside Val Kilmer and Sharon Stone, 50 plays Val's new FBI partner who is dragged into the depths of the underworld in post-Katrina New Orleans while entangled in a murder investigation.

50 recently took the time out of his busy schedule to respond to our questions about what it was like working on the movie, his favorite memories while filming and what TV show he is currently obsessed with. So read below and pick up your copy of Streets of Blood, now available on DVD and on Blu-ray. -- Lisanne

Can you tell us about Streets of Blood and how you became involved with the film?
I was looking to work with Robert DeNiro on this picture but ended up working with him on Righteous Kill. The script sat for a while but once they got Kilmer involved I knew I had to do it.

How did you prepare yourself for the role of Stan?
I lost 25 pounds for the role of Stan. I wanted to be realistic. I wanted the audience to believe I was vulnerable and in danger in parts of the film.

What was it like working with Val Kilmer and Sharon Stone?

Amazing

Do you have any favorite memories from filming Streets of Blood?

I gave Val Kilmer a 67 Impala as a gift for taking time to teach me some of the craft.
We were riding over to visit Oliver Stone on the set of “W” and we ran out of gas just me and him in the middle of nowhere.

What was it like filming in Louisiana?
People were really supportive. Louisiana needs the film business there so everyone went out of their way to make the stay a good one.
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You launched your acting career with 2005's Get Rich or Die Tryin. What initially drew you into acting, and what challenges have you faced in making that transition?
Acting is harder than making music you cannot just be yourself as you can when creating a song.

Any upcoming projects you are excited about?
Very excited to start shooting my next film Jekyll & Hyde co-starring Forest Whitaker directed by Abel Ferrera.

What's in your DVD/Blu-ray player right now?
“The Knowing” with Nicholas Cage

If you ever find time to watch TV, are there any TV shows you are obsessed with?
I watch 24 on DVD when when the season is over and I can watch it all at once commercial free.

Emmy's Three Biggest Surprises

 

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I shan't belabor those things we expected from Emmy® night: Accolades for 30 Rock and Mad Men and a heartstring-tugging "In Memoriam" segment. Instead, let's talk about the show's biggest surprises:

1. What Would Neil Patrick Harris Do? Be Awesome, That's What!

If you watched the Tonys, or, heck, even the TV Land awards, you already know that NPH is someone you want to have master your ceremonies. Sunday night, he sang. He danced. He made up-to-the-second references to Jon Hamm's fabulousness and Paula Abdul's empty chair. He picked on John Cryer, who beat him for the supporting actor (comedy) Emmy. He acted out backstage pique. He seemed earnest yet genuine and completely at ease. No offense, Hugh Jackman, you did a fabulous job on Oscar night. But Neil Patrick Harris is the host of the year. Get this guy an Oscar gig.

2. Dr. Horrible Crashes Emmy's (and TV's) Party

The audience thought it was the (yawn) accountants' turn to talk, when suddenly a supervillan/Internet sensation took over the telecast. Dr. Horrible, of Dr. Horrible's Sing-Along Blog (and portrayed by, yes, NPH), celebrated the web's upending of the TV world, while his nemesis, Captain Hammer (Nathan Fillion) sang the praises of broadcast TV and CSI Miami (because the other CSIs are "too heady"). The segment managed to celebrate TV as we've known it for so long while simultaneously acknowledging the new ways people are enjoying TV -- and shows that aren't on TV, likeDr. Horrible's Sing-Along Blog, which won a Creative Arts Emmy. And for the record, this does not make up for the cold shoulder Emmy has given Joss Whedon over the years, but it's a start.

3. Tara Gets Her Turn and Daisies Get Another Push

Toni Collette, star of Showtime's United States of Tara, won a much-deserved award for her portrayal of a mom with multiple personalities, and she beat the likes of Tina Fey, Julia Louis-Dreyfuss and Mary-Louise Parker to do it. Meanwhile, Kristen Chenoweth's tearfully joyous acceptance provided a sweet coda to her show, Pushing Daisies. She took the moment to mention that she was currently unemployed and a fan of Mad Men. Hmmm. Meanwhile, we'll be looking out for her on Glee.

Enjoy more Emmy glamour here. -- Stephanie Reid-Simons, Amazon Video On Demand (Twitter: amazonvideo and Facebook: Amazon Video On Demand)





"Fringe" resumes tonight

Fringe Blu-ray

Not saying I have tons of time on my hands, but with a number of my shows done forever (Battlestar Galactica, ER, Sarah Connor), I'm programming some new ones into my DVR. Glee is a must. I'll keep up with two I started in the spring, Castle and Dollhouse. And I think I might add one that I'm about halfway through on Blu-ray: Fringe. I never got around to watching it last season, but the concept of an FBI team investigating strange phenomena reminds me a lot of my old fave, The X-Files (just without the alien angle). I like the show so far, and I'm familiar with Joshua Jackson from Dawson's Creek and John Noble from The Lord of the Rings. The first-season trailer is below, but if you haven't seen the show and don't want any kind of advance look at what's going to happen, I'd recommend that you save it and watch later. In the meantime, the second season starts tonight, and yes, my DVR is set. --David



"Spinal Tap" Member, Harry Shearer, Blogs for "Unplugged & Unwigged"

51OYf1VI4jL._SL160_AA115_ Unwigged & Unplugged  is a newly released musical documentary featuring an evening with Christopher Guest, Michael McKean and Harry Shearer; the legendary musical and comedic trio performing music from heavy metal's loudest band Spinal Tap plus more. The DVD features two plus hours of songs from the original soundtrack This Is Spinal Tap (1984), the studio album Break Like The Wind (1992), and A Mighty Wind (2003) along with some special surprises and rarities thrown in. Check out Harry Shearer's blog post detailing gearing up for the tour....--Angela

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Perhaps the scariest day in the six-week rehearsal period for the "Unwigged" tour came when, after about a week of rehearsing the Tap and Folksmen songs which we knew would form the bulk of our show, we decided to play 'em straight through and time them.  As each song finished, one or another of us glanced at the stopwatch application on my laptop: 2:53, 3:12, 2:37...nothing even approaching four minutes. We played twenty songs and barely cracked an hour.  We laughed at the result. How the hell were we going to fill an evening, let alone a DVD

That's when we started thinking about the rest of the show--the comedy part.  The three of us--comedy people with a deep love of music--had been concentrating on the songs, particularly on the most interesting challenge of the project, the question neatly summed up in the faux bumper sticker (or bracelet): WWWD?  (What Would We Do?)  Mssrs   McKean, Guest and Shearer (sorry about the third person there) had become quite proficient at inhabiting the characters in these two distinct bands, and particularly at making the kinds of lyrical and  musical decisions those guys would have made.  Now we were faced with a brand new task: making the musical choices we'd make. We were covering our own tunes. 

The acoustic-instrument setting (I was cheating, playing an electric bass for the Tap stuff) dictated its own changes.  Even so, when we finally decided to add "Heavy Duty" to the lineup, we were capable of some quasi-Tap rocking. Other songs took some thought.  We were   initially skeptical of being able to replicate the pseudo-historical   bombast of "Stonehenge", until we realized there was no way we weren't going to do that song.  After toying with every other possible persona for the spoken passag
es, Christopher reverted to default Nigel.  Even though some of his other attempts (I seem to recall a couple of his classically bad impersonations of older actors) were Funny At The Time. 
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Maybe the most dramatic musical alteration came to our most-covered Tap song, "Big Bottom".  Clearly, we weren't going to muck up the simple logistics of the show by hauling around extra basses for one song.  Simple logistics, after all, was one of the prime motivations for doing "Unwigged" during the 25th anniversary year of the Tap film,   rather than a full-on rock tour in the teeth of an economic meltdown. So, with my one (standup) bass, I proposed a kind of swingy solo version of the tune. Chris and Mike immediately started   scatty vocal parts, and then came up with the idea of guest dancers, and we had a definitively un-Tap version of "BB". 

Then came the question of comedy. We knew there were some little video treats we could lay our hands on--the original theatrical trailer for "Tap", cleverly disguised as a sad little documentary about a cheese-rolling festival in Denmark, the original appearance of Tap on "The TV Show", a short clip of my appearance in "The Robe". Then there were the fan-made videos of Tap songs, about which more appears on line if you Google Lego and Tap. 

Finally, Michael had squirreled away--he being our chief squirrel--a  copy of a memo from the NBC censor at the time, outlining how "Tap" could be, uh, adapted for late-night television viewing.  We decided on a reading of the memo, and, small world that it is, a month after the tour ended, I got an email from said censor (with the memorable name of Bill Clotworthy). He'd heard about his role in our show, and was sending his greetings, and a copy of a book he'd written about "Saturday Night Live", where he served as censor for a couple of decades. And, each night of the tour, we all discovered new things to say, and new things to leave out.  In that sense, there was an improvisational element to the show, as well. 

--Harry Shearer



Armchair Commentary™ Contributors

March 2010

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